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In Full Cry Giclée print by Sybil Andrews

61 x 47cm (unframed)

£138

Linocut (1931). Original size: 29.0 x 41.9cm. Compare with Andrew’s ‘Waterjump’ – a black and white rendition; but here’s there’s colour. This is, of course, not accurate in its portrayal – the red, yellow and black horses capture the feelings experienced, rather than the sights seen. A exceptional print.

This print is authorised for publication by the artist's Estate and has a seal of authenticity embossed onto the white paper margin. It is from a limited edition of 850 and is hand-numbered and hand-embossed. This print has a typed caption running along its paper border. The caption indicates permission and authorisation from the artist's Estate, and from the museum or gallery holding the work. The caption will be concealed by a mount when the print is framed.

Dispatch time: 5 working days for unframed prints. 14 working days for framed prints.

Materials used:

Giclée print on 310gsm thick, 100% cotton rag.

Details:

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Linocut (1931). Original size: 29.0 x 41.9cm. Compare with Andrew’s ‘Waterjump’ – a black and white rendition; but here’s there’s colour. This is, of course, not accurate in its portrayal – the red, yellow and black horses capture the feelings experienced, rather than the sights seen. A exceptional print.

This print is authorised for publication by the artist's Estate and has a seal of authenticity embossed onto the white paper margin. It is from a limited edition of 850 and is hand-numbered and hand-embossed. This print has a typed caption running along its paper border. The caption indicates permission and authorisation from the artist's Estate, and from the museum or gallery holding the work. The caption will be concealed by a mount when the print is framed.

Dispatch time: 5 working days for unframed prints. 14 working days for framed prints.

Materials used:

Giclée print on 310gsm thick, 100% cotton rag.

Details:

Location United Kingdom

About
Sybil Andrews made colour linocuts charged with energy: speedway riders leaning into a bend, crowds pressing into a concert hall, farm workers bent over the soil. Her prints turn the... Read more

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