Main Navigation

  1. Federica Belloli
  2. All Artworks
  3. Grafted light

Grafted light (2026) Original Acrylic Painting by Federica Belloli

50 x 70 x 3cm (unframed) / 50 x 70cm (actual image size)

47 Artist Reviews

£959.84

This work continues the Resilience series, where fracture is not hidden but repaired, and where repair itself becomes part of the subject represented.

In this painting, gold no longer follows only the crack—it begins to sprout and grow. Like a graft, something that takes root and binds.

There is a force in Nature that does not resist by opposing, but by adapting, by growing again. It is the same force that allows green to return over stone, to hold and rebuild without erasing what has been. This work moves within that same logic.

The surface of the painting integrates botanical collage on black tissue paper, where fragile elements are absorbed into the structure, becoming both trace and connection. The gold moves through them not as decoration, but as a line of continuity.

Materials used:

Acrylic paint and botanical collage on birch cradled wood panel.

Details:

Tags:

#pink#gold#leaves#quiet#female portrait#botanical art#introspective#textural surface#kintsugi#symbolic portrait
14 day money back guaranteeFree returns

14 day money back guaranteeLearn more

5.0

Overall Rating

Based on 47 reviews
5 stars
47
4 stars
0
3 stars
0
2 stars
0
1 stars
0

This work continues the Resilience series, where fracture is not hidden but repaired, and where repair itself becomes part of the subject represented.

In this painting, gold no longer follows only the crack—it begins to sprout and grow. Like a graft, something that takes root and binds.

There is a force in Nature that does not resist by opposing, but by adapting, by growing again. It is the same force that allows green to return over stone, to hold and rebuild without erasing what has been. This work moves within that same logic.

The surface of the painting integrates botanical collage on black tissue paper, where fragile elements are absorbed into the structure, becoming both trace and connection. The gold moves through them not as decoration, but as a line of continuity.

Materials used:

Acrylic paint and botanical collage on birch cradled wood panel.

Details:

Tags:

#pink#gold#leaves#quiet#female portrait#botanical art#introspective#textural surface#kintsugi#symbolic portrait
Visit Federica Belloli shop

Federica Belloli

Star fullStar fullStar fullStar fullStar full (47)

Location Italy

About
Imagination is not an escape, but the place where the invisible takes form. This is the space in which my painting is rooted. I am a figurative painter, and I... Read more

View all