In my work I often deal with very personal topics such as fear, anxiety, (not) overcoming obstacles, the desire for freedom and ease of being. I am also inspired to observe my immediate surroundings, my loved ones. It is easier to recognize one's own abysses on the example of others. In my last series, I put away these bars and do not carry my own skin on the market, but a full pack of my entrails.
Cleavage
as a process of dividing (a) one whole into two parts. Standalone, functional, viable (?)
Fusion is a sudden, brutal intervention, on the contrary, from decomposition, which is gradual and natural. The disintegration of a love affair overlaps with the decay of the mind, the tenderness mingles with a brutal struggle. At certain moments, the characters in the paintings resign from the duel and the reconciled ones form a formless whole incapable of the mutual separation of vital functions.
watercolor pencil, acrylic, glue on paper
5 Artist Reviews
£649.63
In my work I often deal with very personal topics such as fear, anxiety, (not) overcoming obstacles, the desire for freedom and ease of being. I am also inspired to observe my immediate surroundings, my loved ones. It is easier to recognize one's own abysses on the example of others. In my last series, I put away these bars and do not carry my own skin on the market, but a full pack of my entrails.
Cleavage
as a process of dividing (a) one whole into two parts. Standalone, functional, viable (?)
Fusion is a sudden, brutal intervention, on the contrary, from decomposition, which is gradual and natural. The disintegration of a love affair overlaps with the decay of the mind, the tenderness mingles with a brutal struggle. At certain moments, the characters in the paintings resign from the duel and the reconciled ones form a formless whole incapable of the mutual separation of vital functions.
watercolor pencil, acrylic, glue on paper
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This artwork is sold by Cynthia Gregorová from Slovakia