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About Kseniia Turik
Biography
I create large-format abstract paintings in acrylic and varnish on canvas — works typically between 100 and 160 cm, built through layered textures in silver, pearl, gold, and terracotta tones. My studios are in Marbella and Paris.
What drives me is the belief that a painting should not decorate a space — it should change it. I work at the intersection of architecture and emotion, making pieces conceived for large private interiors where scale, texture, and physical presence shape the atmosphere of a room.
Each work begins with a memory of light, weather, or stone — a downpour, a coastline, the silence before sound. I build the surface in layers, letting the material guide the form. My recent work has been shown at Art Capital · Grand Palais Paris (2025, 2026), Carrousel du Louvre, and Tokyo Metropolitan Art Museum.
My collectors are people who choose art not by trend but by feeling.
What drives me is the belief that a painting should not decorate a space — it should change it. I work at the intersection of architecture and emotion, making pieces conceived for large private interiors where scale, texture, and physical presence shape the atmosphere of a room.
Each work begins with a memory of light, weather, or stone — a downpour, a coastline, the silence before sound. I build the surface in layers, letting the material guide the form. My recent work has been shown at Art Capital · Grand Palais Paris (2025, 2026), Carrousel du Louvre, and Tokyo Metropolitan Art Museum.
My collectors are people who choose art not by trend but by feeling.
Biography
I create large-format abstract paintings in acrylic and varnish on canvas — works typically between 100 and 160 cm, built through layered textures in silver, pearl, gold, and terracotta tones. My studios are in Marbella and Paris.
What drives me is the belief that a painting should not decorate a space — it should change it. I work at the intersection of architecture and emotion, making pieces conceived for large private interiors where scale, texture, and physical presence shape the atmosphere of a room.
Each work begins with a memory of light, weather, or stone — a downpour, a coastline, the silence before sound. I build the surface in layers, letting the material guide the form. My recent work has been shown at Art Capital · Grand Palais Paris (2025, 2026), Carrousel du Louvre, and Tokyo Metropolitan Art Museum.
My collectors are people who choose art not by trend but by feeling.
What drives me is the belief that a painting should not decorate a space — it should change it. I work at the intersection of architecture and emotion, making pieces conceived for large private interiors where scale, texture, and physical presence shape the atmosphere of a room.
Each work begins with a memory of light, weather, or stone — a downpour, a coastline, the silence before sound. I build the surface in layers, letting the material guide the form. My recent work has been shown at Art Capital · Grand Palais Paris (2025, 2026), Carrousel du Louvre, and Tokyo Metropolitan Art Museum.
My collectors are people who choose art not by trend but by feeling.
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