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Large Diptych "L´Averse" (2 panels) (2025) Original Acrylic Painting by Kseniia Turik

120 x 150 x 3cm

£3,035.03

“L’Averse” is a large-scale vertical diptych built in layered acrylic and sealed with varnish. The work consists of two panels, each measuring 150 × 60 cm, for a total composition of 150 × 120 cm. Installed as a pair, the diptych functions as an architectural gesture rather than a pictorial one.
The palette moves through an extended range of greys — from near-translucent silver to denser, weightier tones — with blue undertones drawn into the surface while the paint was still in motion. Fine pearlescent accents run through the relief, catching light and shifting with the viewer’s position. The lateral edges of both panels are painted in soft blue, extending the composition beyond its frontal plane and reinforcing a sense of atmosphere around the piece.
The surface is physical. Successive layers carry the density and rhythm of rain against glass — not as image, but as texture. The work reads differently from one metre away than from four. Under directional light, the varnish activates and the silver becomes luminous; under diffuse light, the tones settle into quieter registers.
The intentional gap between panels acts as a structural element, dividing the visual flow like a window frame. Designed for tall walls, high ceilings, and double-height interiors, the diptych suits minimalist and architectural environments where natural light moves through the day.
Delivered ready to hang. Recommended spacing between panels: 4–6

Materials used:

Canvas /Lacquer

Details:

Tags:

#statement art#textured art#gray abstract#abstract diptych#silver abstract#large diptych#large wallart#vertical artwork#silver abstacrt#luxury abstraction
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“L’Averse” is a large-scale vertical diptych built in layered acrylic and sealed with varnish. The work consists of two panels, each measuring 150 × 60 cm, for a total composition of 150 × 120 cm. Installed as a pair, the diptych functions as an architectural gesture rather than a pictorial one.
The palette moves through an extended range of greys — from near-translucent silver to denser, weightier tones — with blue undertones drawn into the surface while the paint was still in motion. Fine pearlescent accents run through the relief, catching light and shifting with the viewer’s position. The lateral edges of both panels are painted in soft blue, extending the composition beyond its frontal plane and reinforcing a sense of atmosphere around the piece.
The surface is physical. Successive layers carry the density and rhythm of rain against glass — not as image, but as texture. The work reads differently from one metre away than from four. Under directional light, the varnish activates and the silver becomes luminous; under diffuse light, the tones settle into quieter registers.
The intentional gap between panels acts as a structural element, dividing the visual flow like a window frame. Designed for tall walls, high ceilings, and double-height interiors, the diptych suits minimalist and architectural environments where natural light moves through the day.
Delivered ready to hang. Recommended spacing between panels: 4–6

Materials used:

Canvas /Lacquer

Details:

Tags:

#statement art#textured art#gray abstract#abstract diptych#silver abstract#large diptych#large wallart#vertical artwork#silver abstacrt#luxury abstraction
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Kseniia Turik

Location Spain

About
I create large-format abstract paintings in acrylic and varnish on canvas — works typically between 100 and 160 cm, built through layered textures in silver, pearl, gold, and terracotta tones.... Read more

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