Biography
What drives me is difficult to pinpoint, but it is linear insofar as the last work drives the next one, and each is a step towards resolving the question of what that section of work is about. In that way, it is both compulsive and a logical progression. The constant subject is the use of non-hierarchical space, and as the works progress, they explore and expand different spatial relationships using different devices (colour, texture, shape, etc.).
After leaving art school in 1971, I began making art full-time. In 1973, I had a one-person show at the Jack Wendler Gallery and exhibited regularly until 1990. In 1976, I began exploring the use of figuration in a non-hierarchical space. From 1999 to 1990, I worked in collaboration with another artist, Jo Baer. These paintings were shown widely in major galleries across Europe and America. I worked on other projects up to 2025, but have again taken up watercolour, returning to where I left off with the large Oil on Canvas paintings of the 80s. I wrote about this period in 2007 in an article published on Medium - entitled ‘What makes a good art dealer’.
From 1986, I became involved in various projects across the arts, and later as a software engineer and entrepreneur. I picked up making images full-time around 5 years ago, initially through photography. This activity somehow drove me back to making paintings, which, in so many ways, picked up where I left off in the 80s. Over the last two years, I have completed 50+ watercolour paintings to exhibition standard. Most are 20 x 32 inches, all are painted on heavy (300 lb) watercolour paper.
Biography
What drives me is difficult to pinpoint, but it is linear insofar as the last work drives the next one, and each is a step towards resolving the question of what that section of work is about. In that way, it is both compulsive and a logical progression. The constant subject is the use of non-hierarchical space, and as the works progress, they explore and expand different spatial relationships using different devices (colour, texture, shape, etc.).
After leaving art school in 1971, I began making art full-time. In 1973, I had a one-person show at the Jack Wendler Gallery and exhibited regularly until 1990. In 1976, I began exploring the use of figuration in a non-hierarchical space. From 1999 to 1990, I worked in collaboration with another artist, Jo Baer. These paintings were shown widely in major galleries across Europe and America. I worked on other projects up to 2025, but have again taken up watercolour, returning to where I left off with the large Oil on Canvas paintings of the 80s. I wrote about this period in 2007 in an article published on Medium - entitled ‘What makes a good art dealer’.
From 1986, I became involved in various projects across the arts, and later as a software engineer and entrepreneur. I picked up making images full-time around 5 years ago, initially through photography. This activity somehow drove me back to making paintings, which, in so many ways, picked up where I left off in the 80s. Over the last two years, I have completed 50+ watercolour paintings to exhibition standard. Most are 20 x 32 inches, all are painted on heavy (300 lb) watercolour paper.