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Under pressure (2026) Original Acrylic Painting by Anika De Souza

60 x 60 x 2.5cm (unframed)

2 Artist Reviews

£1,800

Under Pressure unfolds through a restrained, expansive field where tension is held between density and openness. A muted expanse of grey-green spreads across the surface – soft, atmospheric, and absorbing – while darker, concentrated clusters gather at the edges, forming sites of intensity and compression.
These clustered areas – deep blue-green, punctuated with red and layered gestural marks – feel charged and unsettled, as if energy is being contained or pushed outward. In contrast, the central space remains quiet and exposed, allowing the raw canvas to breathe through the composition. This interplay creates a subtle but persistent pressure – a push and pull between accumulation and release.
Drips extend downward from the central mass, marking time and gravity, reinforcing the sense of weight carried within the painting. The surface holds traces of drawing and writing, though they remain faint, partially absorbed into the field.
The text enters as a fragmented, cut-out structure:
Exposing raw, unedited emotions
A space to engage
A tiny revolution
These phrases echo the emotional architecture of the work – articulating the tension between the charged clusters and the open, vulnerable space. As with the artist’s wider practice, language begins as an anchor but gradually dissolves into gesture, becoming part of the painting’s rhythm rather than a fixed statement.
Under Pressure exists within this threshold – where emotion is both contained and released, and where the surface holds the trace of that ongoing negotiation.

Materials used:

Acrylic, pastels, graphite, chalk and oil stick on canvas

Details:

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Under Pressure unfolds through a restrained, expansive field where tension is held between density and openness. A muted expanse of grey-green spreads across the surface – soft, atmospheric, and absorbing – while darker, concentrated clusters gather at the edges, forming sites of intensity and compression.
These clustered areas – deep blue-green, punctuated with red and layered gestural marks – feel charged and unsettled, as if energy is being contained or pushed outward. In contrast, the central space remains quiet and exposed, allowing the raw canvas to breathe through the composition. This interplay creates a subtle but persistent pressure – a push and pull between accumulation and release.
Drips extend downward from the central mass, marking time and gravity, reinforcing the sense of weight carried within the painting. The surface holds traces of drawing and writing, though they remain faint, partially absorbed into the field.
The text enters as a fragmented, cut-out structure:
Exposing raw, unedited emotions
A space to engage
A tiny revolution
These phrases echo the emotional architecture of the work – articulating the tension between the charged clusters and the open, vulnerable space. As with the artist’s wider practice, language begins as an anchor but gradually dissolves into gesture, becoming part of the painting’s rhythm rather than a fixed statement.
Under Pressure exists within this threshold – where emotion is both contained and released, and where the surface holds the trace of that ongoing negotiation.

Materials used:

Acrylic, pastels, graphite, chalk and oil stick on canvas

Details:

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Anika De Souza

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Location United Kingdom

About
Anika De Souza is a Kingston-based visual artist specializing in calligraphic abstraction. Originally from Germany, she studied Graphic Design in Hildesheim, near Hanover, under the renowned calligrapher Gottfried Pott. Her... Read more

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