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Speed Trial Giclée print by Cyril Power

61.01 x 38.2cm (unframed)

£138

Linocut (c.1932). Original image size: 23.2 x 31.5cm. Printed from three blocks: Viridian; Permanent Blue; Chinese Blue. This is Malcolm Campbell’s ‘Bluebird’ which set a new world land speed record of just over 246 miles per hour at Daytona Beach, Florida, 1931. The helmet Campbell wears is only just visible – man has become dynamic machine.

This print is authorised for publication by the artist's Estate and has a seal of authenticity embossed onto the white paper margin. It is from a limited edition of 950 and is hand-numbered and hand-embossed. This print has a typed caption running along its paper border. The caption indicates permission and authorisation from the artist's Estate, and from the museum or gallery holding the work. The caption will be concealed by a mount when the print is framed.

Dispatch time: 5 working days for unframed prints. 14 working days for framed prints.

Materials used:

Giclée print on 310gsm thick, 100% cotton rag.

Details:

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Linocut (c.1932). Original image size: 23.2 x 31.5cm. Printed from three blocks: Viridian; Permanent Blue; Chinese Blue. This is Malcolm Campbell’s ‘Bluebird’ which set a new world land speed record of just over 246 miles per hour at Daytona Beach, Florida, 1931. The helmet Campbell wears is only just visible – man has become dynamic machine.

This print is authorised for publication by the artist's Estate and has a seal of authenticity embossed onto the white paper margin. It is from a limited edition of 950 and is hand-numbered and hand-embossed. This print has a typed caption running along its paper border. The caption indicates permission and authorisation from the artist's Estate, and from the museum or gallery holding the work. The caption will be concealed by a mount when the print is framed.

Dispatch time: 5 working days for unframed prints. 14 working days for framed prints.

Materials used:

Giclée print on 310gsm thick, 100% cotton rag.

Details:

Location United Kingdom

About
Cyril Power came to printmaking late, after two decades as an architect. He went on to make striking images of interwar London, featuring colour linocuts of Tube stations, rowing crews... Read more

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