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Echo (2026) Photograph by Brandon LeValley

50.8 x 71.12 x 0.25cm (unframed) / 60.96 x 81.28cm (actual image size)

£429.14

A progression of tilted windows, dark recesses, and layered reflections transforms the façade into a shifting pattern of light, depth, and repetition.

LARGE SIZE — ITEM FOR SALE

image size 20 × 28 in. | 51 × 71 cm | actual size 24 × 32 in. | 61 × 81 cm | limited edition 1/10 | $585.00

Feel free to make an offer for one out of two optional sizes available:

EXTRA LARGE SIZE

image size 30 × 42 in. | 76 × 107 cm | actual size 34 × 46 in. | 86 × 117 cm | limited edition 1/5 | $795.00

MEDIUM SIZE

image size 11.8 × 16.5 in. | 30 × 42 cm | actual size 15.8 × 20.5 in. | 40 × 52 cm | limited edition 1/15 | $425.00

Printed on museum-quality fine art paper.

Each edition is numbered and signed by the artist on the verso.

Print only, with an approximately 2 in. / 5 cm wide white border for convenient matting and/or framing.

Unmatted / unmounted / unframed.

Materials used:

Hahnemuhle Baryta Fone Art Paper

Details:

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A progression of tilted windows, dark recesses, and layered reflections transforms the façade into a shifting pattern of light, depth, and repetition.

LARGE SIZE — ITEM FOR SALE

image size 20 × 28 in. | 51 × 71 cm | actual size 24 × 32 in. | 61 × 81 cm | limited edition 1/10 | $585.00

Feel free to make an offer for one out of two optional sizes available:

EXTRA LARGE SIZE

image size 30 × 42 in. | 76 × 107 cm | actual size 34 × 46 in. | 86 × 117 cm | limited edition 1/5 | $795.00

MEDIUM SIZE

image size 11.8 × 16.5 in. | 30 × 42 cm | actual size 15.8 × 20.5 in. | 40 × 52 cm | limited edition 1/15 | $425.00

Printed on museum-quality fine art paper.

Each edition is numbered and signed by the artist on the verso.

Print only, with an approximately 2 in. / 5 cm wide white border for convenient matting and/or framing.

Unmatted / unmounted / unframed.

Materials used:

Hahnemuhle Baryta Fone Art Paper

Details:

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Brandon LeValley

Location United States

About
I came to photography through a long-standing fascination with form, structure, and the way light and perspective shape our perception. My early experience in traditional darkrooms instilled a lasting appreciation... Read more

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