Anna Belousova

Joined Artfinder: May 2026

Artworks for sale: 19

Belgium

About Anna Belousova

 
 
  • Biography

    I am an interdisciplinary contemporary artist working across performance art, photography, painting, and drawing. My practice is body-based and concept-driven, grounded in post-humanism, where the body operates both as subject and method.

    A central part of my work is self-directed performance, in which I use my own body to construct temporary situations that are later translated into photography and drawing. Rather than functioning as self-portraits, these works become traces of encounters and perceptual events, where the boundary between observer and participant is unstable.

    In my recent series, I work with watercolour expanded into natural pigments, including beetroot juice and lemon juice on paper. This material shift reflects an interest in post-human and organic image-making processes, where the image remains chemically and temporally active. The paper surface becomes a site of transformation — absorption, dissolution, presence and disappearance.



  • Links
  • Education

    2024 - 2026

    ARBA -ESA (Royal Academy of fine arts), Brussels

    2017 - 2019

    BAZA Institute of Contemporary Art, Moscow

    2014 - 2014

    Saimaa University, Finland

    2009 - 2015

    Repin’s Art Academy, St. Petersburg

  • Upcoming Events

    There are no upcoming events

Links


Education

2024 - 2026

ARBA -ESA (Royal Academy of fine arts), Brussels

2017 - 2019

BAZA Institute of Contemporary Art, Moscow

2014 - 2014

Saimaa University, Finland

2009 - 2015

Repin’s Art Academy, St. Petersburg


There are no upcoming events


 

Biography

I am an interdisciplinary contemporary artist working across performance art, photography, painting, and drawing. My practice is body-based and concept-driven, grounded in post-humanism, where the body operates both as subject and method.

A central part of my work is self-directed performance, in which I use my own body to construct temporary situations that are later translated into photography and drawing. Rather than functioning as self-portraits, these works become traces of encounters and perceptual events, where the boundary between observer and participant is unstable.

In my recent series, I work with watercolour expanded into natural pigments, including beetroot juice and lemon juice on paper. This material shift reflects an interest in post-human and organic image-making processes, where the image remains chemically and temporally active. The paper surface becomes a site of transformation — absorption, dissolution, presence and disappearance.