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Soft Breach (2026) Original Acrylic Painting by Gera Dunachie

40 x 40 x 3cm (unframed)

£560

A quiet negotiation between structure and atmosphere, Soft Breach explores the moment when a rigid framework begins to yield. Pale blue-grey fields, softened geometry and translucent layers create a sense of openness, while darker linear elements provide a subtle underlying tension. Built through successive layers, the surface retains traces of earlier decisions, creating a feeling of depth, memory and gradual emergence.

This work may appeal to collectors drawn to contemporary abstraction with a calm, contemplative presence. Its restrained palette brings a sense of stillness, while subtle shifts of colour, texture and line continue to reveal themselves over time. It is a painting for those who value nuance, quiet complexity and a work that rewards repeated viewing.

The panel is unframed, with finished edges, ready to hang.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.

I have aphantasia and syneasthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

Materials used:

Acrylics

Details:

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A quiet negotiation between structure and atmosphere, Soft Breach explores the moment when a rigid framework begins to yield. Pale blue-grey fields, softened geometry and translucent layers create a sense of openness, while darker linear elements provide a subtle underlying tension. Built through successive layers, the surface retains traces of earlier decisions, creating a feeling of depth, memory and gradual emergence.

This work may appeal to collectors drawn to contemporary abstraction with a calm, contemplative presence. Its restrained palette brings a sense of stillness, while subtle shifts of colour, texture and line continue to reveal themselves over time. It is a painting for those who value nuance, quiet complexity and a work that rewards repeated viewing.

The panel is unframed, with finished edges, ready to hang.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.

I have aphantasia and syneasthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

Materials used:

Acrylics

Details:

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Gera Dunachie

Location United Kingdom

About
I'm an abstract painter working on cradled wood panels. My work begins in sensation, not sight. I have aphantasia, which means I can't visualise, so each painting builds through tone,... Read more

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