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Red Admission (2026) Original Acrylic Painting by Gera Dunachie

23 x 23 x 3cm (framed)

£240

A quiet composition where cool greys and blues are interrupted by a narrow pink strip. Angular forms meet at the centre of the painting, creating a sense of movement.
The surface reveals subtle shifts in texture and colour as the light changes, rewarding repeated viewing without demanding attention. Small in scale but confident in presence, it sits comfortably in intimate spaces where calm and character matter.
Ideal for a hallway, study or reading corner.

Acrylic on cradled wood panel.
20 × 20 cm.
Framed in a black float tray.
Protected with satin anti-UV varnish.
Signed and supplied with a certificate of authenticity.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.

I have aphantasia and synaesthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

Materials used:

Acrylics on cradled wood panel

Details:

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A quiet composition where cool greys and blues are interrupted by a narrow pink strip. Angular forms meet at the centre of the painting, creating a sense of movement.
The surface reveals subtle shifts in texture and colour as the light changes, rewarding repeated viewing without demanding attention. Small in scale but confident in presence, it sits comfortably in intimate spaces where calm and character matter.
Ideal for a hallway, study or reading corner.

Acrylic on cradled wood panel.
20 × 20 cm.
Framed in a black float tray.
Protected with satin anti-UV varnish.
Signed and supplied with a certificate of authenticity.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.

I have aphantasia and synaesthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

Materials used:

Acrylics on cradled wood panel

Details:

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Gera Dunachie

Location United Kingdom

About
I'm an abstract painter working on cradled wood panels. My work begins in sensation, not sight. I have aphantasia, which means I can't visualise, so each painting builds through tone,... Read more

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