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Particule XXIV (2020) Original Oil Painting by Florina Breazu

70 x 60 x 3cm (unframed) / 70 x 60cm (actual image size)

5 Artist Reviews

£1,200

PARTICULE XXIV
Oil on canvas
Particule XXIV continues an ongoing exploration of matter as a state of movement, transformation, and becoming. The painting approaches the particle not as a scientific object, but as a metaphor for the smallest element capable of carrying energy, memory, and potential.
The forms appear to exist between emergence and dissolution, suggesting a field in which matter is continuously gathering, separating, colliding, and reorganising. Nothing remains completely fixed. Each particle becomes both an independent presence and a fragment of a larger, invisible structure.
The work proposes a space situated somewhere between the microscopic and the cosmic. What appears at first as an arrangement of colour and form can be perceived as a fragment of an unknown universe — a constellation of forces whose relationships are sensed rather than fully understood.
In Particule XXIV, colour functions not simply as a means of representation, but as a form of energy. Layers, traces, interruptions, and accumulations create a visual rhythm that suggests movement beyond the static surface of the canvas. The painting records not an isolated moment, but a state of continuous transformation.
The series Particule is also a reflection on the relationship between the individual and the whole. Just as a particle exists simultaneously as an autonomous entity and as part of a larger system, each human experience is a fragment of a much wider field of existence.
Particule XXIV therefore becomes an image of potential — of something constantly emerging, changing, and becoming something else. The visible forms are only traces of a process that continues beyond the boundaries of the painting.

Materials used:

Ulei

Details:

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PARTICULE XXIV
Oil on canvas
Particule XXIV continues an ongoing exploration of matter as a state of movement, transformation, and becoming. The painting approaches the particle not as a scientific object, but as a metaphor for the smallest element capable of carrying energy, memory, and potential.
The forms appear to exist between emergence and dissolution, suggesting a field in which matter is continuously gathering, separating, colliding, and reorganising. Nothing remains completely fixed. Each particle becomes both an independent presence and a fragment of a larger, invisible structure.
The work proposes a space situated somewhere between the microscopic and the cosmic. What appears at first as an arrangement of colour and form can be perceived as a fragment of an unknown universe — a constellation of forces whose relationships are sensed rather than fully understood.
In Particule XXIV, colour functions not simply as a means of representation, but as a form of energy. Layers, traces, interruptions, and accumulations create a visual rhythm that suggests movement beyond the static surface of the canvas. The painting records not an isolated moment, but a state of continuous transformation.
The series Particule is also a reflection on the relationship between the individual and the whole. Just as a particle exists simultaneously as an autonomous entity and as part of a larger system, each human experience is a fragment of a much wider field of existence.
Particule XXIV therefore becomes an image of potential — of something constantly emerging, changing, and becoming something else. The visible forms are only traces of a process that continues beyond the boundaries of the painting.

Materials used:

Ulei

Details:

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Location Moldova

About
Florina Breazu is one of the best art critics in Romania and beyond. His pictorial qualities do not continue, as at first glance one might think, theorizing and fitting into... Read more

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