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Into the Light (2025) Original Oil Painting by Daria Zavadenko

40 x 30 x 0.3cm (unframed) / 40 x 30cm (actual image size)

1 Artist Review

£264.72

This painting continues my exploration of forest landscapes, focusing on the subtle tension between shadow and radiance. Here, the trees stand as silhouettes against a glowing horizon, where cool blues and violets dissolve into warm yellows and pinks. The interplay of color and texture suggests a moment of transition — night giving way to dawn, or day folding into evening.

Rather than a literal scene, it is a meditation on movement and stillness: the pulse of light through branches, the quiet path that draws the eye inward, and the way a forest seems to breathe with its own rhythm.

𝗦𝗵𝗶𝗽𝗽𝗶𝗻𝗴
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𝗖𝘂𝘀𝘁𝗼𝗺𝘀 𝗮𝗻𝗱 𝗧𝗮𝘅𝗲𝘀
Buyers are responsible for customs duties and import taxes. I’m not liable for delays caused by customs procedures. Please check your country’s import rules before ordering.

Materials used:

Oil paint on hardboard

Details:

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This painting continues my exploration of forest landscapes, focusing on the subtle tension between shadow and radiance. Here, the trees stand as silhouettes against a glowing horizon, where cool blues and violets dissolve into warm yellows and pinks. The interplay of color and texture suggests a moment of transition — night giving way to dawn, or day folding into evening.

Rather than a literal scene, it is a meditation on movement and stillness: the pulse of light through branches, the quiet path that draws the eye inward, and the way a forest seems to breathe with its own rhythm.

𝗦𝗵𝗶𝗽𝗽𝗶𝗻𝗴
All artworks are securely packaged with foam and sturdy cardboard for safe worldwide delivery via Express Mail Service.

𝗖𝘂𝘀𝘁𝗼𝗺𝘀 𝗮𝗻𝗱 𝗧𝗮𝘅𝗲𝘀
Buyers are responsible for customs duties and import taxes. I’m not liable for delays caused by customs procedures. Please check your country’s import rules before ordering.

Materials used:

Oil paint on hardboard

Details:

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Daria Zavadenko

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Location Ukraine

About
Daria Zavadenko is a contemporary landscape painter working primarily in oil with a palette knife. Her practice is guided by a simple observation: people rarely remember a landscape exactly as... Read more

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