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Grand Central Photograph by Basel Almisshal

76.2 x 62.23 x 0.25cm (unframed) / 76.2 x 62.23cm (actual image size)

£703.72

The main concourse of Grand Central Terminal, where a century of arrivals and departures has worn the marble smooth. I held the exposure long enough for the crowd to blur into movement while the architecture stayed perfectly still.

That contrast is the subject: the permanence of the room against the impermanence of everyone passing through it. The great windows, the vaulted ceiling, and the warm stone hold their ground while the travelers dissolve into streaks of motion. A building designed for movement, photographed as the one thing that does not move.

This is a museum-quality giclee print on archival fine art paper, made from the original high-resolution file, signed and numbered with a certificate of authenticity. Each print is produced to exhibition standard and shipped rolled in a protective tube.

Materials used:

Archival pigment print (giclee) on museum-grade fine art paper

Details:

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The main concourse of Grand Central Terminal, where a century of arrivals and departures has worn the marble smooth. I held the exposure long enough for the crowd to blur into movement while the architecture stayed perfectly still.

That contrast is the subject: the permanence of the room against the impermanence of everyone passing through it. The great windows, the vaulted ceiling, and the warm stone hold their ground while the travelers dissolve into streaks of motion. A building designed for movement, photographed as the one thing that does not move.

This is a museum-quality giclee print on archival fine art paper, made from the original high-resolution file, signed and numbered with a certificate of authenticity. Each print is produced to exhibition standard and shipped rolled in a protective tube.

Materials used:

Archival pigment print (giclee) on museum-grade fine art paper

Details:

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Basel Almisshal

Location United States

About
Basel Almisshal photographs with an architect's eye, creating carefully composed studies of landscape, climate, movement and cultural identity. His practice draws on more than twenty years of international work across... Read more

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