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Cold Compression (2026) Original Acrylic Painting by Gera Dunachie

23 x 23 x 3cm (framed)

£240

A contemporary abstract painting built from geometric planes of cool blue, grey and charcoal. The composition is deliberately compressed, with dark structural lines.
Despite its restrained palette, the painting has depth and quiet energy. It invites a closer look, revealing traces of earlier decisions beneath the final composition.

A strong choice for modern interiors where simplicity and subtle complexity sit comfortably together.

Acrylic and pencil on cradled wood panel.
20 × 20 cm.
Framed in a black float tray.
Protected with satin anti-UV varnish.
Signed and supplied with a certificate of authenticity.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.

I have aphantasia and synaesthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

Materials used:

Acrylics on cradled wood panel

Details:

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A contemporary abstract painting built from geometric planes of cool blue, grey and charcoal. The composition is deliberately compressed, with dark structural lines.
Despite its restrained palette, the painting has depth and quiet energy. It invites a closer look, revealing traces of earlier decisions beneath the final composition.

A strong choice for modern interiors where simplicity and subtle complexity sit comfortably together.

Acrylic and pencil on cradled wood panel.
20 × 20 cm.
Framed in a black float tray.
Protected with satin anti-UV varnish.
Signed and supplied with a certificate of authenticity.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.

I have aphantasia and synaesthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

Materials used:

Acrylics on cradled wood panel

Details:

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Gera Dunachie

Location United Kingdom

About
I'm an abstract painter working on cradled wood panels. My work begins in sensation, not sight. I have aphantasia, which means I can't visualise, so each painting builds through tone,... Read more

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