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Caravans - Framed Giclée print by Eric Ravilious

25.2 x 22.24 x 0.83" (framed)

$449.26

This is the framed version of Caravans. The artwork is framed in a natural, unfinished solid oak profile with UV-filtering glazing and acid-free, conservation-grade mount matched to the colour of the paper.

Watercolour on paper, 1936. These are actually Fever Wagons – used first in the Boer War, or possibly even earlier in the Crimean War, and then shipped back to Newhaven, Sussex, and parked at the chalk pits near Peggy Angus's house 'Furlongs' (see 'Furlongs' print) where Ravilious was residing. Ravilious asked if he could purchase them, and subsequently made one into a bedroom and the other into a studio, where presumably this haunting work was painted.

This print is authorised for publication by the artist's Estate and has a seal of authenticity embossed onto the white paper margin. It is from a limited edition of 950 and is hand-numbered and hand-embossed. This print has a typed caption running along its paper border. The caption indicates permission and authorisation from the artist's Estate, and from the museum or gallery holding the work. The caption will be concealed by a mount when the print is framed.

Dispatch time: 5 working days for unframed prints. 14 working days for framed prints.

Materials used:

Giclée print on 310gsm thick, 100% cotton rag.

Details:

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This is the framed version of Caravans. The artwork is framed in a natural, unfinished solid oak profile with UV-filtering glazing and acid-free, conservation-grade mount matched to the colour of the paper.

Watercolour on paper, 1936. These are actually Fever Wagons – used first in the Boer War, or possibly even earlier in the Crimean War, and then shipped back to Newhaven, Sussex, and parked at the chalk pits near Peggy Angus's house 'Furlongs' (see 'Furlongs' print) where Ravilious was residing. Ravilious asked if he could purchase them, and subsequently made one into a bedroom and the other into a studio, where presumably this haunting work was painted.

This print is authorised for publication by the artist's Estate and has a seal of authenticity embossed onto the white paper margin. It is from a limited edition of 950 and is hand-numbered and hand-embossed. This print has a typed caption running along its paper border. The caption indicates permission and authorisation from the artist's Estate, and from the museum or gallery holding the work. The caption will be concealed by a mount when the print is framed.

Dispatch time: 5 working days for unframed prints. 14 working days for framed prints.

Materials used:

Giclée print on 310gsm thick, 100% cotton rag.

Details:

Location United Kingdom

About
Eric Ravilious found a quiet strangeness in the English landscape: chalk hills, empty lanes, greenhouses and lighthouses, painted in pale, precise watercolour that feels both familiar and slightly unreal. A... Read more

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