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Blue Vector (2026) Original Acrylic Painting by Gera Dunachie

23 x 23 x 3cm (framed)

£240

A light, open composition built around pale blues, soft whites and a single area of deeper colour that anchors the painting. Fine linear marks create an understated structure while broad painted passages keep the overall feeling calm and spacious.

The quiet palette makes it easy to live with, bringing freshness and clarity without overwhelming a room. A versatile piece that works beautifully on its own or alongside other contemporary artworks.

Acrylic and pencil on cradled wood panel.
20 × 20 cm.
Framed in a black float tray.
Protected with satin anti-UV varnish.
Signed and supplied with a certificate of authenticity.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.

I have aphantasia and synaesthesia which means I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

Materials used:

Acrylics

Details:

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A light, open composition built around pale blues, soft whites and a single area of deeper colour that anchors the painting. Fine linear marks create an understated structure while broad painted passages keep the overall feeling calm and spacious.

The quiet palette makes it easy to live with, bringing freshness and clarity without overwhelming a room. A versatile piece that works beautifully on its own or alongside other contemporary artworks.

Acrylic and pencil on cradled wood panel.
20 × 20 cm.
Framed in a black float tray.
Protected with satin anti-UV varnish.
Signed and supplied with a certificate of authenticity.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.

I have aphantasia and synaesthesia which means I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

Materials used:

Acrylics

Details:

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Gera Dunachie

Location United Kingdom

About
I'm an abstract painter working on cradled wood panels. My work begins in sensation, not sight. I have aphantasia, which means I can't visualise, so each painting builds through tone,... Read more

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