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Below Threshold (2026) Original Acrylic Painting by Gera Dunachie

40 x 40 x 2cm

£580

Below Threshold is a contemporary abstract work on cradled wood panel, built from a cold palette of teal, indigo, mint and lavender-grey. The composition divides into two distinct registers. The upper third is sharp and structural. Architectural forms declared with confidence. Below that, everything submerges into a hazy, pressurised field that withholds as much as it reveals.

A mint horizontal line crosses the composition at the division point. Part structural device, part waterline. On the right, a single lavender-grey passage is the one place where the interior pushes through to the surface. Everything else holds.

A quietly powerful work for contemporary spaces where atmosphere matters. Suits clean, minimal interiors and works well alongside other cold-palette paintings.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.
I have aphantasia and syneasthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

The panel has been protected with anti-UV varnish. Unframed with finished edges in grey. Ready to frame or display as desired.

Materials used:

Acrylics

Details:

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Below Threshold is a contemporary abstract work on cradled wood panel, built from a cold palette of teal, indigo, mint and lavender-grey. The composition divides into two distinct registers. The upper third is sharp and structural. Architectural forms declared with confidence. Below that, everything submerges into a hazy, pressurised field that withholds as much as it reveals.

A mint horizontal line crosses the composition at the division point. Part structural device, part waterline. On the right, a single lavender-grey passage is the one place where the interior pushes through to the surface. Everything else holds.

A quietly powerful work for contemporary spaces where atmosphere matters. Suits clean, minimal interiors and works well alongside other cold-palette paintings.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.
I have aphantasia and syneasthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

The panel has been protected with anti-UV varnish. Unframed with finished edges in grey. Ready to frame or display as desired.

Materials used:

Acrylics

Details:

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Gera Dunachie

Location United Kingdom

About
I'm an abstract painter working on cradled wood panels. My work begins in sensation, not sight. I have aphantasia, which means I can't visualise, so each painting builds through tone,... Read more

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