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Atmospheric Study No. 23 — Summer Evening (2026) Original Oil Painting by Daria Zavadenko

40 x 40 x 0.3cm (unframed) / 40 x 40cm (actual image size)

1 Artist Review

£313.81

Part of an ongoing series exploring the relationship between horizon, atmosphere, and landscape space.

This original oil painting draws light from restrained grounds, allowing luminosity to emerge from deep, quiet tones. Tall trees rise against a wide blue evening sky, their dark silhouettes framing a luminous break of pale light at the centre, where soft pink and white glow between the trunks. Olive, ochre, and teal canopy forms catch the last warmth of the day, while the dark water below mirrors the trunks and sky in quiet, fragmented reflections.

Rather than depicting a specific location, the painting explores landscape as a space shaped by light, memory, and the persistence of evening feeling. Rich textures reveal new details with sustained observation.

Part of the Atmospheric Studies series.

Materials used:

Oil

Details:

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Part of an ongoing series exploring the relationship between horizon, atmosphere, and landscape space.

This original oil painting draws light from restrained grounds, allowing luminosity to emerge from deep, quiet tones. Tall trees rise against a wide blue evening sky, their dark silhouettes framing a luminous break of pale light at the centre, where soft pink and white glow between the trunks. Olive, ochre, and teal canopy forms catch the last warmth of the day, while the dark water below mirrors the trunks and sky in quiet, fragmented reflections.

Rather than depicting a specific location, the painting explores landscape as a space shaped by light, memory, and the persistence of evening feeling. Rich textures reveal new details with sustained observation.

Part of the Atmospheric Studies series.

Materials used:

Oil

Details:

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Daria Zavadenko

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Location Ukraine

About
I paint landscapes where memory gradually replaces reality, working with expressive palette knife strokes and layered textures to capture atmosphere rather than exact location. I think of my paintings as... Read more

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