Patricia Ariel is a contemporary Brazilian-American multidisciplinary
artist. Although part self-taught, she had a formal education in visual
arts that included academic drawing training and graphic and fashion
design. Besides drawing and painting, Patricia has expressed herself
since an early age through different artistic languages like drama,
dance, and music. Her decision to become a full-time visual artist came
only after leaving her homeland. Since then she has been collected and
exhibited throughout the United States and internationally. Patricia’s
art is strongly influenced by her spirituality and insights into the
connections of human beings with nature and the sacred and the
spiritual/psychic dimension. In her paintings of haunting and mysterious
figures, she evokes her own experiences with loneliness, isolation, and
inadequacy, as well as escapism and the search for transcendence from
the material reality. Fascinated with the concept of transmutation and
the beauty of imperfection, in her latest works she rejects the idea of
order and purity to explore the frailty of being human, but also its
capability of regeneration and reconstruction. She deliberately
maculates her work with tears, cuts, and scrapes of paint, sanding them
down to create holes and crevices, creating more tactile spots with
materials like gesso, cold wax, and paper. The textures and flaws that
emerge from that process can be reworked or enhanced, creating new
avenues of dialogue with the work.
Biography
Patricia Ariel is a contemporary Brazilian-American multidisciplinary
artist. Although part self-taught, she had a formal education in visual
arts that included academic drawing training and graphic and fashion
design. Besides drawing and painting, Patricia has expressed herself
since an early age through different artistic languages like drama,
dance, and music. Her decision to become a full-time visual artist came
only after leaving her homeland. Since then she has been collected and
exhibited throughout the United States and internationally. Patricia’s
art is strongly influenced by her spirituality and insights into the
connections of human beings with nature and the sacred and the
spiritual/psychic dimension. In her paintings of haunting and mysterious
figures, she evokes her own experiences with loneliness, isolation, and
inadequacy, as well as escapism and the search for transcendence from
the material reality. Fascinated with the concept of transmutation and
the beauty of imperfection, in her latest works she rejects the idea of
order and purity to explore the frailty of being human, but also its
capability of regeneration and reconstruction. She deliberately
maculates her work with tears, cuts, and scrapes of paint, sanding them
down to create holes and crevices, creating more tactile spots with
materials like gesso, cold wax, and paper. The textures and flaws that
emerge from that process can be reworked or enhanced, creating new
avenues of dialogue with the work.