Biography
“Stop, moment, you are beautiful”
(Faust, Johann Wolfgang von Goethe)
I work with the moment as a rare and fragile form of reality. Goethe’s words are not a quotation for me, but a method of existing within reality. In a world of accelerated time, visual noise, I consciously choose slowness and attention to the moment. It is precisely this that allows one to perceive liminal states, where beauty moves beyond familiar harmony and ceases to be obvious.
I am interested in defect not as an error, but as a carrier of experience and time: asymmetry, distortion, roughness, the trace of what has been lived through. It is what holds the gaze, because life is present within it. Absolute smoothness is neutral; imperfection is expressive.
My subjects arise from everyday experience: landscapes, still lifes, human figures. I do not copy reality literally; I transform it in order to reveal the beauty of the imperfect and make it visible.
I work in mixed media, combining painting with heterogeneous materials and textures. Paper, newspapers, gauze, foil, ground, dense brushstrokes, and tense color form my language, through which I speak about instability, fragility, and the emotional density of the moment.
My art is an invitation to pause, to look closely, and to experience a moment as a unique encounter. I affirm imperfection not as a flaw, but as a value and a form of authenticity. My approach turns the observation of the world into a dialogue about fragility, time, and the value of life here and now.
“Stop, moment, you are beautiful”
(Faust, Johann Wolfgang von Goethe)
I work with the moment as a rare and fragile form of reality. Goethe’s words are not a quotation for me, but a method of existing within reality. In a world of accelerated time, visual noise, I consciously choose slowness and attention to the moment. It is precisely this that allows one to perceive liminal states, where beauty moves beyond familiar harmony and ceases to be obvious.
I am interested in defect not as an error, but as a carrier of experience and time: asymmetry, distortion, roughness, the trace of what has been lived through. It is what holds the gaze, because life is present within it. Absolute smoothness is neutral; imperfection is expressive.
My subjects arise from everyday experience: landscapes, still lifes, human figures. I do not copy reality literally; I transform it in order to reveal the beauty of the imperfect and make it visible.
I work in mixed media, combining painting with heterogeneous materials and textures. Paper, newspapers, gauze, foil, ground, dense brushstrokes, and tense color form my language, through which I speak about instability, fragility, and the emotional density of the moment.
My art is an invitation to pause, to look closely, and to experience a moment as a unique encounter. I affirm imperfection not as a flaw, but as a value and a form of authenticity. My approach turns the observation of the world into a dialogue about fragility, time, and the value of life here and now.