Biography
I was born in Molodohvardeysk, in the Luhansk region of eastern Ukraine, and I now paint in Kyiv. The landscapes of that place never left me. I return to the same motifs again and again, searching for the moment when fields of colour and patches of light come together to form a landscape, balanced on the threshold between abstraction and recognition.
I work in oil on board with broad brushes and a heavy load of paint, building thick, sculptural surfaces and reducing each scene to a few essential masses. I often work on textured, imperfect surfaces, allowing their irregularities to become part of the painting. These subtle imperfections add depth, character, and a sense of uniqueness to each landscape. I leave relief strokes visible only where they are needed and earned. Up close, you see the paint itself and the texture of the surface beneath it. From a distance, the painting opens into spaciousness and soft light.
My Atmospheric Studies series is most often built around a single compositional structure: a shifting sky above a still earth. The ground remains constant. The sky turns heavy, pale, or luminous, and the same view becomes a different memory. Sometimes the sky withdraws into a reflection on water or behind a canopy of trees, and the light settles on the ground instead. I want to strip a moment of natural beauty to its emotional core and let the viewer encounter it in its rawest, most concentrated form.
My paintings are held in private collections across Europe, the United States, Australia, China, and New Zealand.
I was born in Molodohvardeysk, in the Luhansk region of eastern Ukraine, and I now paint in Kyiv. The landscapes of that place never left me. I return to the same motifs again and again, searching for the moment when fields of colour and patches of light come together to form a landscape, balanced on the threshold between abstraction and recognition.
I work in oil on board with broad brushes and a heavy load of paint, building thick, sculptural surfaces and reducing each scene to a few essential masses. I often work on textured, imperfect surfaces, allowing their irregularities to become part of the painting. These subtle imperfections add depth, character, and a sense of uniqueness to each landscape. I leave relief strokes visible only where they are needed and earned. Up close, you see the paint itself and the texture of the surface beneath it. From a distance, the painting opens into spaciousness and soft light.
My Atmospheric Studies series is most often built around a single compositional structure: a shifting sky above a still earth. The ground remains constant. The sky turns heavy, pale, or luminous, and the same view becomes a different memory. Sometimes the sky withdraws into a reflection on water or behind a canopy of trees, and the light settles on the ground instead. I want to strip a moment of natural beauty to its emotional core and let the viewer encounter it in its rawest, most concentrated form.
My paintings are held in private collections across Europe, the United States, Australia, China, and New Zealand.
Education
2020 - 2022
Private Painting Studies with Ukrainian Artists
2009 - 2014
Vasyl’ Stus Donetsk National University
2020 - 2022
Private Painting Studies with Ukrainian Artists
2009 - 2014
Vasyl’ Stus Donetsk National University
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