- Ryan Louder
- All Artworks
- The Old House
The Old HouseLimited edition print Paper Print
by Ryan Louder
£75.00
From an edition of 120
Size 22.86 x 30.48 cm (unframed)
Original artwork description
Signal Rating: 6/10 — Significant
Classification: Hypnagogic
This painting by Ryan Louder is part of a body of work shaped by his neurological condition — Narcolepsy with REM Intrusion Hallucinations, clinically confirmed via MSLT at Guy's Hospital, London. The work contains hypnagogic imagery — embedded secondary images, phantom figures, and forms emerging from within the scene.
Neuroaesthetic markers identified: phantom figures (ghostly crowd of dark figures at lower right materialise from gestural marks — not fully resolved); boundary dissolution (house and foliage/sky merge through unified grey wash); figure-ground collapse (crowd figures and ground surface are the same tone and texture); Klüver form constants (criss-cross mark structure over facade reads as lattice constant); self-luminous forms (red/brown architectural elements glow against grey field)
These markers are not deliberate artistic techniques but direct visual recordings of what REM intrusion hallucinations look like. The imagery emerges from neurological experience, not metaphor. Ryan has painted over 2,000 works, with over 1,000 originals sold. Each painting in this collection has been subjected to neuroaesthetic forensic analysis to identify and catalogue the perceptual phenomena present.
Two Victorian red-brick gabled buildings occupy centre and left, their facades rendered in dark red-brown and rust against a predominantly grey-white ground of energetic charcoal and wash marks. The criss-cross hatching across the building surfaces creates a lattice overlay denser than architectural description requires. To the lower right, a crowd of dark figures gathers, most undifferentiated from each other and from the ground tone — grey marks among grey marks, their presence felt rather than clearly seen. A large tree at the right edge bleeds into the sky. The window openings carry traces of warm amber-brown tone, lit interiors pressing against the grey exterior field.
Materials used:
Ink oil ink acrylic
Details:
- Mixed-media painting on Canvas
- One of a kind artwork
- Size: 57 x 40 x 0.1cm (unframed)
- Ready to hang
- Signed on the front
- Style: Surrealistic
- Subject: Abstract and non-figurative
Tags:
#victorian buildings#red-brick facade#lattice hatching#grey-white ground#crowd gathering#charcoal wash#amber windows#dark cluster#tree bleed14 day money back guaranteeLearn more
Original artwork description
Signal Rating: 6/10 — Significant
Classification: Hypnagogic
This painting by Ryan Louder is part of a body of work shaped by his neurological condition — Narcolepsy with REM Intrusion Hallucinations, clinically confirmed via MSLT at Guy's Hospital, London. The work contains hypnagogic imagery — embedded secondary images, phantom figures, and forms emerging from within the scene.
Neuroaesthetic markers identified: phantom figures (ghostly crowd of dark figures at lower right materialise from gestural marks — not fully resolved); boundary dissolution (house and foliage/sky merge through unified grey wash); figure-ground collapse (crowd figures and ground surface are the same tone and texture); Klüver form constants (criss-cross mark structure over facade reads as lattice constant); self-luminous forms (red/brown architectural elements glow against grey field)
These markers are not deliberate artistic techniques but direct visual recordings of what REM intrusion hallucinations look like. The imagery emerges from neurological experience, not metaphor. Ryan has painted over 2,000 works, with over 1,000 originals sold. Each painting in this collection has been subjected to neuroaesthetic forensic analysis to identify and catalogue the perceptual phenomena present.
Two Victorian red-brick gabled buildings occupy centre and left, their facades rendered in dark red-brown and rust against a predominantly grey-white ground of energetic charcoal and wash marks. The criss-cross hatching across the building surfaces creates a lattice overlay denser than architectural description requires. To the lower right, a crowd of dark figures gathers, most undifferentiated from each other and from the ground tone — grey marks among grey marks, their presence felt rather than clearly seen. A large tree at the right edge bleeds into the sky. The window openings carry traces of warm amber-brown tone, lit interiors pressing against the grey exterior field.
Materials used:
Ink oil ink acrylic
Details:
- Mixed-media painting on Canvas
- One of a kind artwork
- Size: 57 x 40 x 0.1cm (unframed)
- Ready to hang
- Signed on the front
- Style: Surrealistic
- Subject: Abstract and non-figurative
Tags:
#victorian buildings#red-brick facade#lattice hatching#grey-white ground#crowd gathering#charcoal wash#amber windows#dark cluster#tree bleed







