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Oblique (2026) Photograph by Brandon LeValley

43.18 x 78.74 x 0.25cm (unframed) / 40.64 x 76.2cm (actual image size)

£444.57

The rhythmic repetition of projecting architectural fins transforms a quiet building façade into an abstract study of line, shadow, and texture. Subtle tonal transitions across the concrete surface contrast with deep window recesses, creating a composition that feels both structured and dynamic. By isolating the geometry from its surroundings, Oblique invites the viewer to experience architecture not as a place, but as a meditation on form, light, and visual rhythm.

Limited Edition Fine Art Print

* 17 × 31 in. — Edition of 15 — $595
* 28 × 49 in. — Edition of 10 — $1295

Printed on Hahnemühle Photo Rag paper for exceptional tonal depth, crisp detail, and archival permanence. Each print is individually signed, numbered, and accompanied by a Certificate of Authenticity.

Materials used:

Hahnemuhle Photo Rag and archival inks

Details:

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The rhythmic repetition of projecting architectural fins transforms a quiet building façade into an abstract study of line, shadow, and texture. Subtle tonal transitions across the concrete surface contrast with deep window recesses, creating a composition that feels both structured and dynamic. By isolating the geometry from its surroundings, Oblique invites the viewer to experience architecture not as a place, but as a meditation on form, light, and visual rhythm.

Limited Edition Fine Art Print

* 17 × 31 in. — Edition of 15 — $595
* 28 × 49 in. — Edition of 10 — $1295

Printed on Hahnemühle Photo Rag paper for exceptional tonal depth, crisp detail, and archival permanence. Each print is individually signed, numbered, and accompanied by a Certificate of Authenticity.

Materials used:

Hahnemuhle Photo Rag and archival inks

Details:

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Brandon LeValley

Location United States

About
I came to photography through a long-standing fascination with form and structure, and with how their aesthetic presence is constantly shaped by light, perspective, and the moment of observation. My... Read more

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