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The Garden of Iris (2026) Original Acrylic Painting by Artem Andreichuk

100 x 120 x 2cm (unframed)

5 Artist Reviews

£1,469.91

"The Garden of Iris" is a surrealist landscape that reinterprets traditional queer symbolism through the serene, minimalist language of nature. At the core of the artwork lies a profound linguistic and mythological double entendre. In ancient Greek mythology, Iris is the goddess of the rainbow, a divine messenger who bridges separate worlds. In the physical world, the iris flower is renowned for its radiant, expansive spectrum of colors, historically named after the goddess herself. By centering the composition around this specific flora, the painting establishes a subtle, organic monument to the LGBTQ+ experience—transforming the universal symbol of the pride rainbow into a living, rooted entity.

In the foreground, a singular, magnificent cluster of irises rises with resilience from a deep, atmospheric terrain. Their petals blend soft whites with deep, passionate purples and striking flashes of crimson and orange, echoing the diversity and internal fire of the queer community. The verticality of their stalks acts as an organic architecture of growth, rising proudly toward a vast, open sky. Above them, a solitary orange sun hangs low, casting a warm, protective, and surreal glow over the entire landscape—a symbol of a new dawn, visibility, and hope.

Stretching along the distant horizon is a quiet row of minimalist houses, each rendered in a distinct, singular color corresponding to the iconic sequence of the pride flag: red, orange, yellow, green, and blue, culminating in a detached purple house on the far right. These structures represent more than shelter; they are symbols of identity, belonging, and the fundamental human right to a safe space. The physical distance between the houses does not signify isolation, but rather a shared presence across a common landscape—a quiet collective, a community bound by an unseen but deeply felt kinship.

Ultimately, The Garden of Iris is a visual metaphor for sanctuary, authenticity, and coexistence. It reframes the pride narrative from one of external struggle to one of internal peace and natural law. It posits that queer identity is as ancient, diverse, and indisputable as the blooming of a flower or the alignment of the horizon—a calm, resolute statement of pride that commands its own space within the vastness of the world.

Materials used:

acrylic paints

Details:

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"The Garden of Iris" is a surrealist landscape that reinterprets traditional queer symbolism through the serene, minimalist language of nature. At the core of the artwork lies a profound linguistic and mythological double entendre. In ancient Greek mythology, Iris is the goddess of the rainbow, a divine messenger who bridges separate worlds. In the physical world, the iris flower is renowned for its radiant, expansive spectrum of colors, historically named after the goddess herself. By centering the composition around this specific flora, the painting establishes a subtle, organic monument to the LGBTQ+ experience—transforming the universal symbol of the pride rainbow into a living, rooted entity.

In the foreground, a singular, magnificent cluster of irises rises with resilience from a deep, atmospheric terrain. Their petals blend soft whites with deep, passionate purples and striking flashes of crimson and orange, echoing the diversity and internal fire of the queer community. The verticality of their stalks acts as an organic architecture of growth, rising proudly toward a vast, open sky. Above them, a solitary orange sun hangs low, casting a warm, protective, and surreal glow over the entire landscape—a symbol of a new dawn, visibility, and hope.

Stretching along the distant horizon is a quiet row of minimalist houses, each rendered in a distinct, singular color corresponding to the iconic sequence of the pride flag: red, orange, yellow, green, and blue, culminating in a detached purple house on the far right. These structures represent more than shelter; they are symbols of identity, belonging, and the fundamental human right to a safe space. The physical distance between the houses does not signify isolation, but rather a shared presence across a common landscape—a quiet collective, a community bound by an unseen but deeply felt kinship.

Ultimately, The Garden of Iris is a visual metaphor for sanctuary, authenticity, and coexistence. It reframes the pride narrative from one of external struggle to one of internal peace and natural law. It posits that queer identity is as ancient, diverse, and indisputable as the blooming of a flower or the alignment of the horizon—a calm, resolute statement of pride that commands its own space within the vastness of the world.

Materials used:

acrylic paints

Details:

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Artem Andreichuk

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Location Ukraine

About
After graduating from the National Academy of Arts of Ukraine, I experimented a lot with various media and materials, including enamel, ceramics, glass, decorative putty, foam plastic, epoxy resin, and... Read more

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