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Signature Gesture (2026) Original Oil Painting by Tamara Dvaretskaya

46 x 40 x 4cm (framed)

£853.93

Before language there was mark-making. The hand moving across a surface leaving proof. I was here. I felt this. A small canvas inside an enormous golden frame. The black strokes move across warm cream like calligraphy — fast, decided, unrepeatable. You could not make these marks twice. That is what makes them true.
THE SCIENCE OF CONTRAST AND GESTURE
The brain follows contrast before anything else. Black on cream creates immediate sharp attention without agitation. Gestural brushwork activates mirror neurons in the viewer. You do not just see the stroke — your brain physically simulates the movement that made it. You feel the speed, the pressure, the decision. The human hand is present and the brain recognises it. This painting suits someone with a distinct point of view. It does not fill a wall. It punctuates it.

Materials used:

oil

Details:

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Before language there was mark-making. The hand moving across a surface leaving proof. I was here. I felt this. A small canvas inside an enormous golden frame. The black strokes move across warm cream like calligraphy — fast, decided, unrepeatable. You could not make these marks twice. That is what makes them true.
THE SCIENCE OF CONTRAST AND GESTURE
The brain follows contrast before anything else. Black on cream creates immediate sharp attention without agitation. Gestural brushwork activates mirror neurons in the viewer. You do not just see the stroke — your brain physically simulates the movement that made it. You feel the speed, the pressure, the decision. The human hand is present and the brain recognises it. This painting suits someone with a distinct point of view. It does not fill a wall. It punctuates it.

Materials used:

oil

Details:

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Tamara Dvaretskaya

Location Thailand

About
Trained in the fine arts, she spent years as an international fashion model — giving her image to brands and other people's visions while never stopping to paint. She has... Read more

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