- Ryan Louder
- All Artworks
- London In The Rain
London In The RainLimited edition print Paper Print
by Ryan Louder
£75.00
From an edition of 120
Size 22.86 x 30.48 cm (unframed)
Original artwork description
Signal Rating: 5/10 — Moderate
Classification: Dissociative
This painting by Ryan Louder is part of a body of work shaped by his neurological condition — Narcolepsy with REM Intrusion Hallucinations, clinically confirmed via MSLT at Guy's Hospital, London. The work contains dissociative imagery — boundary dissolution, figure-ground collapse, and spatial incoherence consistent with REM intrusion.
Neuroaesthetic markers identified: The chromatic key is hyperbolically acidic — yellows and greens that do not occur in London daylight even on the brightest morning; this chromatic exaggeration is a marker of the way the dissociating perceptual system over-saturates familiar scenes; the cyclist figure at centre is dark against the luminous ground, a silhouette without individuating features; the spatial recession is compressed, everything pushed to a single plane; the rain-wet surfaces create a doubling of all objects in reflection, dissociating the scene into two overlapping realities
These markers are not deliberate artistic techniques but direct visual recordings of what REM intrusion hallucinations look like. The imagery emerges from neurological experience, not metaphor. Ryan has painted over 2,000 works, with over 1,000 originals sold. Each painting in this collection has been subjected to neuroaesthetic forensic analysis to identify and catalogue the perceptual phenomena present.
A rain-wet London street scene at an intersection, looking toward a red double-decker bus in the middle distance. A dark figure — cyclist or pedestrian — occupies the centre foreground as a silhouette without individuating features, reflected imprecisely in the wet ground. The colour throughout is dominated by acid yellow-green: the buildings, the bus surroundings, the sky — all pushed into a register with no naturalistic London equivalent. The red of the bus is the one counter-note. A dark lamp post cuts vertically through the right third. The wet surfaces double every form in smeared reflection, so each object coexists with its own distorted ghost below.
Materials used:
Oil
Details:
- Oil painting on Canvas
- One of a kind artwork
- Size: 30.48 x 40.64 x 0.76cm (unframed)
- Signed on the front
- Style: Impressionistic
- Subject: Architecture and cityscapes
Tags:
#lamp post#rain scene#london street#wet reflections#dark silhouette#double-decker bus#acid yellow-green#doubled forms#urban chromatic
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Original artwork description
Signal Rating: 5/10 — Moderate
Classification: Dissociative
This painting by Ryan Louder is part of a body of work shaped by his neurological condition — Narcolepsy with REM Intrusion Hallucinations, clinically confirmed via MSLT at Guy's Hospital, London. The work contains dissociative imagery — boundary dissolution, figure-ground collapse, and spatial incoherence consistent with REM intrusion.
Neuroaesthetic markers identified: The chromatic key is hyperbolically acidic — yellows and greens that do not occur in London daylight even on the brightest morning; this chromatic exaggeration is a marker of the way the dissociating perceptual system over-saturates familiar scenes; the cyclist figure at centre is dark against the luminous ground, a silhouette without individuating features; the spatial recession is compressed, everything pushed to a single plane; the rain-wet surfaces create a doubling of all objects in reflection, dissociating the scene into two overlapping realities
These markers are not deliberate artistic techniques but direct visual recordings of what REM intrusion hallucinations look like. The imagery emerges from neurological experience, not metaphor. Ryan has painted over 2,000 works, with over 1,000 originals sold. Each painting in this collection has been subjected to neuroaesthetic forensic analysis to identify and catalogue the perceptual phenomena present.
A rain-wet London street scene at an intersection, looking toward a red double-decker bus in the middle distance. A dark figure — cyclist or pedestrian — occupies the centre foreground as a silhouette without individuating features, reflected imprecisely in the wet ground. The colour throughout is dominated by acid yellow-green: the buildings, the bus surroundings, the sky — all pushed into a register with no naturalistic London equivalent. The red of the bus is the one counter-note. A dark lamp post cuts vertically through the right third. The wet surfaces double every form in smeared reflection, so each object coexists with its own distorted ghost below.
Materials used:
Oil
Details:
- Oil painting on Canvas
- One of a kind artwork
- Size: 30.48 x 40.64 x 0.76cm (unframed)
- Signed on the front
- Style: Impressionistic
- Subject: Architecture and cityscapes
Tags:
#lamp post#rain scene#london street#wet reflections#dark silhouette#double-decker bus#acid yellow-green#doubled forms#urban chromatic
Ryan Louder
United Kingdom
About
Ryan Louder paints dreams in real time. Close to one thousand originals sold over a career spanning more than ten years. Independent AI visual analysis of 873 of his paintings... Read more