- Ryan Louder
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- London In The Rain
London In The RainLimited edition print Paper Print
by Ryan Louder
£75.00
From an edition of 120
Size 22.86 x 30.48 cm (unframed)
Original artwork description
Signal Rating: 5/10 — Moderate
Classification: Dissociative
This painting by Ryan Louder is part of a body of work shaped by his neurological condition — Narcolepsy with REM Intrusion Hallucinations, clinically confirmed via MSLT at Guy's Hospital, London. The work contains dissociative imagery — boundary dissolution, figure-ground collapse, and spatial incoherence consistent with REM intrusion.
Neuroaesthetic markers identified: The chromatic key is hyperbolically acidic — yellows and greens that do not occur in London daylight even on the brightest morning; this chromatic exaggeration is a marker of the way the dissociating perceptual system over-saturates familiar scenes; the cyclist figure at centre is dark against the luminous ground, a silhouette without individuating features; the spatial recession is compressed, everything pushed to a single plane; the rain-wet surfaces create a doubling of all objects in reflection, dissociating the scene into two overlapping realities
These markers are not deliberate artistic techniques but direct visual recordings of what REM intrusion hallucinations look like. The imagery emerges from neurological experience, not metaphor. Ryan has painted over 2,000 works, with over 1,000 originals sold. Each painting in this collection has been subjected to neuroaesthetic forensic analysis to identify and catalogue the perceptual phenomena present.
Three red telephone boxes are the dominant chromatic event in an otherwise near-monochrome canvas — grey, teal, and dark charcoal throughout, the red applied in loose strokes that bleed downward slightly, the colour not fully contained by the forms. Behind the phone boxes, the cityscape rises in grey-charcoal marks suggesting large buildings, a bridge or arch, and the diffusion of overcast urban light. A string of small circular marks runs diagonally near the upper edge. The upper-right carries a patch of teal-blue as accent in the grey field. No figures are resolved. The marks select which information to retain, the city felt rather than observed.
Materials used:
Oil on canvas
Details:
- Oil painting on Canvas
- One of a kind artwork
- Size: 34 x 34 x 0.1cm (unframed)
- Ready to hang
- Signed on the front
- Style: Abstract
- Subject: People and portraits
Tags:
#phone boxes#grey cityscape#teal accent#near-monochrome#red bleeding#diagonal dots#bridge implied#felt city#red-grey contrast
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Original artwork description
Signal Rating: 5/10 — Moderate
Classification: Dissociative
This painting by Ryan Louder is part of a body of work shaped by his neurological condition — Narcolepsy with REM Intrusion Hallucinations, clinically confirmed via MSLT at Guy's Hospital, London. The work contains dissociative imagery — boundary dissolution, figure-ground collapse, and spatial incoherence consistent with REM intrusion.
Neuroaesthetic markers identified: The chromatic key is hyperbolically acidic — yellows and greens that do not occur in London daylight even on the brightest morning; this chromatic exaggeration is a marker of the way the dissociating perceptual system over-saturates familiar scenes; the cyclist figure at centre is dark against the luminous ground, a silhouette without individuating features; the spatial recession is compressed, everything pushed to a single plane; the rain-wet surfaces create a doubling of all objects in reflection, dissociating the scene into two overlapping realities
These markers are not deliberate artistic techniques but direct visual recordings of what REM intrusion hallucinations look like. The imagery emerges from neurological experience, not metaphor. Ryan has painted over 2,000 works, with over 1,000 originals sold. Each painting in this collection has been subjected to neuroaesthetic forensic analysis to identify and catalogue the perceptual phenomena present.
Three red telephone boxes are the dominant chromatic event in an otherwise near-monochrome canvas — grey, teal, and dark charcoal throughout, the red applied in loose strokes that bleed downward slightly, the colour not fully contained by the forms. Behind the phone boxes, the cityscape rises in grey-charcoal marks suggesting large buildings, a bridge or arch, and the diffusion of overcast urban light. A string of small circular marks runs diagonally near the upper edge. The upper-right carries a patch of teal-blue as accent in the grey field. No figures are resolved. The marks select which information to retain, the city felt rather than observed.
Materials used:
Oil on canvas
Details:
- Oil painting on Canvas
- One of a kind artwork
- Size: 34 x 34 x 0.1cm (unframed)
- Ready to hang
- Signed on the front
- Style: Abstract
- Subject: People and portraits
Tags:
#phone boxes#grey cityscape#teal accent#near-monochrome#red bleeding#diagonal dots#bridge implied#felt city#red-grey contrast
Ryan Louder
United Kingdom
About
Ryan Louder paints dreams in real time. Close to one thousand originals sold over a career spanning more than ten years. Independent AI visual analysis of 873 of his paintings... Read more