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Intervals of Unrest (2026) Original Acrylic Painting by Linda Coppens

50 x 70 x 0.1cm (unframed) / 50 x 70cm (actual image size)

13 Artist Reviews

£591.22

Size: 50x70 cm, acrylics and oil stick on Figueras oil paper.
Signature on the front, certificate of authenticity.
Sold unframed.

This painting unfolds through a series of autonomous gestures suspended within a soft atmospheric field. A dense knot of red, green, and blue gathers near the lower right, countered by a sweeping black arc and a fractured yellow structure above. Rather than resolving into a single composition, the elements coexist in a state of tension, each retaining its independence.
Moments of compression and openness alternate across the surface. The ground remains active, allowing the gestures to hover and collide without settling into harmony. The work holds the instant just before equilibrium — when movement, interruption, and hesitation remain visible.

Materials used:

acrylics, pencils, pastels, oil sticks on Fabriano paper

Details:

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Size: 50x70 cm, acrylics and oil stick on Figueras oil paper.
Signature on the front, certificate of authenticity.
Sold unframed.

This painting unfolds through a series of autonomous gestures suspended within a soft atmospheric field. A dense knot of red, green, and blue gathers near the lower right, countered by a sweeping black arc and a fractured yellow structure above. Rather than resolving into a single composition, the elements coexist in a state of tension, each retaining its independence.
Moments of compression and openness alternate across the surface. The ground remains active, allowing the gestures to hover and collide without settling into harmony. The work holds the instant just before equilibrium — when movement, interruption, and hesitation remain visible.

Materials used:

acrylics, pencils, pastels, oil sticks on Fabriano paper

Details:

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Linda Coppens

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Location Spain

About
I am a Belgian abstract artist based in Spain. Painting, for me, is a process of discovery. I never begin with a finished image in mind. Instead, I start with... Read more

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