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Original artwork description:
This is a frontal view of the Canal Grande near Ponte dell Accademia; in the background, the Basilica di Santa Maria della Salute is silhouetted at twilight. On foreground the gondolas stations and waterways made by the traditional, thick and colorful wooden poles which you can see all over the lagoon. This piece is on 300gm watercolor paper with deckled edges and a white border; Made in Studio after several watercolor sketches made on site during a trip in 2018 by Maximilian Damico, watercolor international teacher; on paper watercolor Saunders Waterford 300 gsm rough.
Materials used:
Saunders Waterford paper watercolor 300gm, Schmincke watercolors
Tags:
#maximilian damico #water refection #venice architecture #venice painting original #watercolor veniceGondola Station (2019)
Watercolour
by Maximilian Damico
37 Artist Reviews
£270
- Watercolour on Paper
- One of a kind artwork
- Size: 27.94 x 38.1 x 0.25cm (unframed) / 27.94 x 38.1cm (actual image size)
- Signed on the front
- Style: Impressionistic
- Subject: Architecture and cityscapes
Original artwork description
This is a frontal view of the Canal Grande near Ponte dell Accademia; in the background, the Basilica di Santa Maria della Salute is silhouetted at twilight. On foreground the gondolas stations and waterways made by the traditional, thick and colorful wooden poles which you can see all over the lagoon. This piece is on 300gm watercolor paper with deckled edges and a white border; Made in Studio after several watercolor sketches made on site during a trip in 2018 by Maximilian Damico, watercolor international teacher; on paper watercolor Saunders Waterford 300 gsm rough.
Materials used:
Saunders Waterford paper watercolor 300gm, Schmincke watercolors
Tags:
#maximilian damico #water refection #venice architecture #venice painting original #watercolor veniceReturns and refunds
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Artist Reviews (37)
Maximilian Damico
Czechia
About
Italian watercolorist Maximilian Damico paints primarily on location. He observes city sidewalks and intersections, looking for not the most famous scenes but the most interesting. With quick, lively brushstrokes, Maximilian... Read more
