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Father FigureLimited edition print Paper Print 
by Ryan Louder

108 Artist Reviews

£135.00

From an edition of 125

Size 40.64 x 50.8 cm (unframed)

Signal Rating: 9/10 — Strong
Classification: Hallucinatory

This painting by Ryan Louder is part of a body of work shaped by his neurological condition — Narcolepsy with REM Intrusion Hallucinations, clinically confirmed via MSLT at Guy's Hospital, London. The work contains hallucinatory imagery — geometric form constants, phosphene-like patterns, and perceptual structures consistent with REM intrusion.

Neuroaesthetic markers identified: Towering figure assembled from fragmented, hieratic elements — face merges with headdress/crown in a totemic way that does not resolve into human anatomy; smaller figures embedded within and alongside the central figure suggest nested or fractured identity — a classic REM intrusion motif of multiple selves or spirits; the central figure holds a mask-face (or secondary face) against its own, creating a face-within-face structure; paint texture is damaged and encrusted, creating a sense of antiquity and unreliability; warm ochre ground functions as an undifferentiated field; the figures seem to be partially absorbed by or emerging from each other — boundary dissolution between selves; this is one of the most architecturally hallucinatory works in the corpus

These markers are not deliberate artistic techniques but direct visual recordings of what REM intrusion hallucinations look like. The imagery emerges from neurological experience, not metaphor. Ryan has painted over 2,000 works, with over 1,000 originals sold. Each painting in this collection has been subjected to neuroaesthetic forensic analysis to identify and catalogue the perceptual phenomena present.

Materials used:

Oil paint

Details:

Tags:

#big painting#large oil#statement piece#statement art#grief#very large#big paintings#statement of#picasso like#mogdigliani like
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4.9

Overall Rating

Based on 108 reviews
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Signal Rating: 9/10 — Strong
Classification: Hallucinatory

This painting by Ryan Louder is part of a body of work shaped by his neurological condition — Narcolepsy with REM Intrusion Hallucinations, clinically confirmed via MSLT at Guy's Hospital, London. The work contains hallucinatory imagery — geometric form constants, phosphene-like patterns, and perceptual structures consistent with REM intrusion.

Neuroaesthetic markers identified: Towering figure assembled from fragmented, hieratic elements — face merges with headdress/crown in a totemic way that does not resolve into human anatomy; smaller figures embedded within and alongside the central figure suggest nested or fractured identity — a classic REM intrusion motif of multiple selves or spirits; the central figure holds a mask-face (or secondary face) against its own, creating a face-within-face structure; paint texture is damaged and encrusted, creating a sense of antiquity and unreliability; warm ochre ground functions as an undifferentiated field; the figures seem to be partially absorbed by or emerging from each other — boundary dissolution between selves; this is one of the most architecturally hallucinatory works in the corpus

These markers are not deliberate artistic techniques but direct visual recordings of what REM intrusion hallucinations look like. The imagery emerges from neurological experience, not metaphor. Ryan has painted over 2,000 works, with over 1,000 originals sold. Each painting in this collection has been subjected to neuroaesthetic forensic analysis to identify and catalogue the perceptual phenomena present.

Materials used:

Oil paint

Details:

Tags:

#big painting#large oil#statement piece#statement art#grief#very large#big paintings#statement of#picasso like#mogdigliani like
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Ryan Louder

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Location United Kingdom

About
I am a London based artist My artwork derives inspiration from the vivid and often surreal experiences of rapid eye movement (REM) intrusions, which are characteristic of a neurological condition... Read more

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