Church of the Decapitation of Saint John in Dyakovo. In crafting this painting, I intertwined elements of impressionism and realism to capture the serene yet vibrant essence of a winter's day surrounding an ancient church. Using oil paints, I accentuated the vivid blues and nuanced golds across the snow-laden scene, inviting the viewer into a dance of cool tranquility contrasted with warm, hopeful tones. This artwork, brimming with peaceful energy, aims to reflect resilience and the timeless grace of nature's cycle in your home. This place is covered with legends and leads the traveler on a long way to the knowledge of old Moscow. The temple in winter is most clearly visible through the trees, and burns against the background of the blue sky.
Exhibition:
2015 "The artist's palette. Simon Kozhin. History and Modernity "at the Exhibition Hall" Atrium "The Moscow State Integrated Art and Historical Architectural and Natural Landscape Museum-Reserve" Kolomenskoye ". (Moscow)
Oil
£2,962.4
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Church of the Decapitation of Saint John in Dyakovo. In crafting this painting, I intertwined elements of impressionism and realism to capture the serene yet vibrant essence of a winter's day surrounding an ancient church. Using oil paints, I accentuated the vivid blues and nuanced golds across the snow-laden scene, inviting the viewer into a dance of cool tranquility contrasted with warm, hopeful tones. This artwork, brimming with peaceful energy, aims to reflect resilience and the timeless grace of nature's cycle in your home. This place is covered with legends and leads the traveler on a long way to the knowledge of old Moscow. The temple in winter is most clearly visible through the trees, and burns against the background of the blue sky.
Exhibition:
2015 "The artist's palette. Simon Kozhin. History and Modernity "at the Exhibition Hall" Atrium "The Moscow State Integrated Art and Historical Architectural and Natural Landscape Museum-Reserve" Kolomenskoye ". (Moscow)
Oil
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