From my Welsh period. The 'rape' (exploitation, if you prefer) of land and women conspire in this early figurescape, which was drawing out various ideas. At the end of a tortuous painting I felt I reached something Raw and Real. The inclusion or exclusion of a comma completely alters the way the painting may be 'read'.
Ready to hang but should be better framed, being painted on a quite heavy panel with a very narrow slightly scuffed border.
Spectrum oil paint, knives, paste medium, recycled heavy wood support