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About Ricardo Antonio Roselló Saus
Biography
I'm a visual artist from Valencia, Spain.
I began to paint almost without realizing it, like someone learning a language they already knew. It was quite a sudden decision and the natural consequence of observing the world for years and feeling that words weren't enough to translate what I saw.
Landscapes, both natural and urban, have always spoken to me of something deeper than their appearance: a memory, the passage of time, a history that accumulates on every surface. Painting became my way of responding to that silent conversation I have with places.
Corrosion became a central theme in my work because I found in it a perfect metaphor for what I want to express. Rust, wear, the cracks that time leaves on metal, stone, or cement, don't represent decay for me, but transformation. Each corroded surface tells a story of resistance and change, of matter that refuses to disappear completely and instead reinvents itself. That process of deterioration, which is also beauty, is what I try to capture on each canvas.
Texture came almost as a physical necessity to translate that idea into touch. It wasn't enough for me to simply represent corrosion visually; I wanted it to be felt, for the viewer to sense the roughness of rust or the ruggedness of an urban wall weathered by time. Working with layers, reliefs, and materials that break the flat surface of the canvas allows me to get closer to the physical truth of certain places, transforming each work into an experience that transcends the purely visual.
My abstract and evocative landscapes are born from a blend of what I see and what I remember. I don't paint an exact place, but rather the feeling it leaves within me: the light of a particular afternoon, the silence of an abandoned industrial city, the stillness of a natural landscape that seems to resist the passage of time. This layer of evocation allows each person who looks at my paintings to complete the story with their own memories, finding something in my work that is also their own.
Having been able to sell my paintings throughout Europe has been, for me, confirmation that this visual language I began to construct almost instinctively manages to communicate something more universal. Discovering that people from different backgrounds and cultures recognize themselves in those corroded textures and evocative landscapes confirms for me that painting was not just a personal need, but a genuine way of connecting with others through something as simple and complex as a surface, a color, and the passage of time.
I want to be part of Artfinder because I'm looking for a platform that understands art not as a mere product, but as a way to connect the artist with the viewer. My work, focused on evocative landscapes and the beauty of corrosion and the passage of time, needs to reach an audience that values the authenticity and sensitivity behind each piece, and I believe Artfinder offers precisely that space. It's a platform that respects the artist and makes it easy for each piece to find its place in the hands of someone who truly appreciates it.
I began to paint almost without realizing it, like someone learning a language they already knew. It was quite a sudden decision and the natural consequence of observing the world for years and feeling that words weren't enough to translate what I saw.
Landscapes, both natural and urban, have always spoken to me of something deeper than their appearance: a memory, the passage of time, a history that accumulates on every surface. Painting became my way of responding to that silent conversation I have with places.
Corrosion became a central theme in my work because I found in it a perfect metaphor for what I want to express. Rust, wear, the cracks that time leaves on metal, stone, or cement, don't represent decay for me, but transformation. Each corroded surface tells a story of resistance and change, of matter that refuses to disappear completely and instead reinvents itself. That process of deterioration, which is also beauty, is what I try to capture on each canvas.
Texture came almost as a physical necessity to translate that idea into touch. It wasn't enough for me to simply represent corrosion visually; I wanted it to be felt, for the viewer to sense the roughness of rust or the ruggedness of an urban wall weathered by time. Working with layers, reliefs, and materials that break the flat surface of the canvas allows me to get closer to the physical truth of certain places, transforming each work into an experience that transcends the purely visual.
My abstract and evocative landscapes are born from a blend of what I see and what I remember. I don't paint an exact place, but rather the feeling it leaves within me: the light of a particular afternoon, the silence of an abandoned industrial city, the stillness of a natural landscape that seems to resist the passage of time. This layer of evocation allows each person who looks at my paintings to complete the story with their own memories, finding something in my work that is also their own.
Having been able to sell my paintings throughout Europe has been, for me, confirmation that this visual language I began to construct almost instinctively manages to communicate something more universal. Discovering that people from different backgrounds and cultures recognize themselves in those corroded textures and evocative landscapes confirms for me that painting was not just a personal need, but a genuine way of connecting with others through something as simple and complex as a surface, a color, and the passage of time.
I want to be part of Artfinder because I'm looking for a platform that understands art not as a mere product, but as a way to connect the artist with the viewer. My work, focused on evocative landscapes and the beauty of corrosion and the passage of time, needs to reach an audience that values the authenticity and sensitivity behind each piece, and I believe Artfinder offers precisely that space. It's a platform that respects the artist and makes it easy for each piece to find its place in the hands of someone who truly appreciates it.
Biography
I'm a visual artist from Valencia, Spain.
I began to paint almost without realizing it, like someone learning a language they already knew. It was quite a sudden decision and the natural consequence of observing the world for years and feeling that words weren't enough to translate what I saw.
Landscapes, both natural and urban, have always spoken to me of something deeper than their appearance: a memory, the passage of time, a history that accumulates on every surface. Painting became my way of responding to that silent conversation I have with places.
Corrosion became a central theme in my work because I found in it a perfect metaphor for what I want to express. Rust, wear, the cracks that time leaves on metal, stone, or cement, don't represent decay for me, but transformation. Each corroded surface tells a story of resistance and change, of matter that refuses to disappear completely and instead reinvents itself. That process of deterioration, which is also beauty, is what I try to capture on each canvas.
Texture came almost as a physical necessity to translate that idea into touch. It wasn't enough for me to simply represent corrosion visually; I wanted it to be felt, for the viewer to sense the roughness of rust or the ruggedness of an urban wall weathered by time. Working with layers, reliefs, and materials that break the flat surface of the canvas allows me to get closer to the physical truth of certain places, transforming each work into an experience that transcends the purely visual.
My abstract and evocative landscapes are born from a blend of what I see and what I remember. I don't paint an exact place, but rather the feeling it leaves within me: the light of a particular afternoon, the silence of an abandoned industrial city, the stillness of a natural landscape that seems to resist the passage of time. This layer of evocation allows each person who looks at my paintings to complete the story with their own memories, finding something in my work that is also their own.
Having been able to sell my paintings throughout Europe has been, for me, confirmation that this visual language I began to construct almost instinctively manages to communicate something more universal. Discovering that people from different backgrounds and cultures recognize themselves in those corroded textures and evocative landscapes confirms for me that painting was not just a personal need, but a genuine way of connecting with others through something as simple and complex as a surface, a color, and the passage of time.
I want to be part of Artfinder because I'm looking for a platform that understands art not as a mere product, but as a way to connect the artist with the viewer. My work, focused on evocative landscapes and the beauty of corrosion and the passage of time, needs to reach an audience that values the authenticity and sensitivity behind each piece, and I believe Artfinder offers precisely that space. It's a platform that respects the artist and makes it easy for each piece to find its place in the hands of someone who truly appreciates it.
I began to paint almost without realizing it, like someone learning a language they already knew. It was quite a sudden decision and the natural consequence of observing the world for years and feeling that words weren't enough to translate what I saw.
Landscapes, both natural and urban, have always spoken to me of something deeper than their appearance: a memory, the passage of time, a history that accumulates on every surface. Painting became my way of responding to that silent conversation I have with places.
Corrosion became a central theme in my work because I found in it a perfect metaphor for what I want to express. Rust, wear, the cracks that time leaves on metal, stone, or cement, don't represent decay for me, but transformation. Each corroded surface tells a story of resistance and change, of matter that refuses to disappear completely and instead reinvents itself. That process of deterioration, which is also beauty, is what I try to capture on each canvas.
Texture came almost as a physical necessity to translate that idea into touch. It wasn't enough for me to simply represent corrosion visually; I wanted it to be felt, for the viewer to sense the roughness of rust or the ruggedness of an urban wall weathered by time. Working with layers, reliefs, and materials that break the flat surface of the canvas allows me to get closer to the physical truth of certain places, transforming each work into an experience that transcends the purely visual.
My abstract and evocative landscapes are born from a blend of what I see and what I remember. I don't paint an exact place, but rather the feeling it leaves within me: the light of a particular afternoon, the silence of an abandoned industrial city, the stillness of a natural landscape that seems to resist the passage of time. This layer of evocation allows each person who looks at my paintings to complete the story with their own memories, finding something in my work that is also their own.
Having been able to sell my paintings throughout Europe has been, for me, confirmation that this visual language I began to construct almost instinctively manages to communicate something more universal. Discovering that people from different backgrounds and cultures recognize themselves in those corroded textures and evocative landscapes confirms for me that painting was not just a personal need, but a genuine way of connecting with others through something as simple and complex as a surface, a color, and the passage of time.
I want to be part of Artfinder because I'm looking for a platform that understands art not as a mere product, but as a way to connect the artist with the viewer. My work, focused on evocative landscapes and the beauty of corrosion and the passage of time, needs to reach an audience that values the authenticity and sensitivity behind each piece, and I believe Artfinder offers precisely that space. It's a platform that respects the artist and makes it easy for each piece to find its place in the hands of someone who truly appreciates it.
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