Artworks by Edward Bawden
About Edward Bawden
Biography
Edward Bawden (1903-89) studied at the Cambridge School of Art and at the Royal College of Art. He belonged to that circle of friends which included Eric Ravilious, Douglas Bliss and Enid Marx – a group tutored by Paul Nash and famously described by him as representing ‘an outbreak of talent’.
Bawden taught at Goldsmiths’ College and the Royal College of Art; at the same time he worked as a graphic designer and illustrator providing posters for London Transport, designs for Poole Pottery and Curwen Press, and book illustrations for Faber and Faber. During the Second World War Bawden was nominated Official War Artist; he produced mostly watercolours, at this point, and worked both in France and the Middle East.
During the late 1950s and the 1960s Bawden produced the linocuts and lithographs for which he is perhaps best known. He produced large prints on Kew Gardens and Brighton; on Liverpool Street Station and a series on the London Markets. Clear and bold and often graphic in design – reflective no doubt of his training in the Design School of the Royal College – they are representative of lino-cutting at its best. They also push the creative possibilities of the medium as in, for instance, the angular cuts in Snowstorm at Brighton which make abstract the portrayal of a storm whilst at the same time graphically capturing its impact.
Public collections holding works by Edward Bawden include the British Museum Print Rooms (London), the Cecil Higgins Art Gallery, Chelmsford Museum, the Fry Art Gallery and the Victoria and Albert Museum (London).
Bawden taught at Goldsmiths’ College and the Royal College of Art; at the same time he worked as a graphic designer and illustrator providing posters for London Transport, designs for Poole Pottery and Curwen Press, and book illustrations for Faber and Faber. During the Second World War Bawden was nominated Official War Artist; he produced mostly watercolours, at this point, and worked both in France and the Middle East.
During the late 1950s and the 1960s Bawden produced the linocuts and lithographs for which he is perhaps best known. He produced large prints on Kew Gardens and Brighton; on Liverpool Street Station and a series on the London Markets. Clear and bold and often graphic in design – reflective no doubt of his training in the Design School of the Royal College – they are representative of lino-cutting at its best. They also push the creative possibilities of the medium as in, for instance, the angular cuts in Snowstorm at Brighton which make abstract the portrayal of a storm whilst at the same time graphically capturing its impact.
Public collections
Public collections holding works by Edward Bawden include the British Museum Print Rooms (London), the Cecil Higgins Art Gallery, Chelmsford Museum, the Fry Art Gallery and the Victoria and Albert Museum (London).
Biography
Edward Bawden (1903-89) studied at the Cambridge School of Art and at the Royal College of Art. He belonged to that circle of friends which included Eric Ravilious, Douglas Bliss and Enid Marx – a group tutored by Paul Nash and famously described by him as representing ‘an outbreak of talent’.
Bawden taught at Goldsmiths’ College and the Royal College of Art; at the same time he worked as a graphic designer and illustrator providing posters for London Transport, designs for Poole Pottery and Curwen Press, and book illustrations for Faber and Faber. During the Second World War Bawden was nominated Official War Artist; he produced mostly watercolours, at this point, and worked both in France and the Middle East.
During the late 1950s and the 1960s Bawden produced the linocuts and lithographs for which he is perhaps best known. He produced large prints on Kew Gardens and Brighton; on Liverpool Street Station and a series on the London Markets. Clear and bold and often graphic in design – reflective no doubt of his training in the Design School of the Royal College – they are representative of lino-cutting at its best. They also push the creative possibilities of the medium as in, for instance, the angular cuts in Snowstorm at Brighton which make abstract the portrayal of a storm whilst at the same time graphically capturing its impact.
Public collections holding works by Edward Bawden include the British Museum Print Rooms (London), the Cecil Higgins Art Gallery, Chelmsford Museum, the Fry Art Gallery and the Victoria and Albert Museum (London).
Bawden taught at Goldsmiths’ College and the Royal College of Art; at the same time he worked as a graphic designer and illustrator providing posters for London Transport, designs for Poole Pottery and Curwen Press, and book illustrations for Faber and Faber. During the Second World War Bawden was nominated Official War Artist; he produced mostly watercolours, at this point, and worked both in France and the Middle East.
During the late 1950s and the 1960s Bawden produced the linocuts and lithographs for which he is perhaps best known. He produced large prints on Kew Gardens and Brighton; on Liverpool Street Station and a series on the London Markets. Clear and bold and often graphic in design – reflective no doubt of his training in the Design School of the Royal College – they are representative of lino-cutting at its best. They also push the creative possibilities of the medium as in, for instance, the angular cuts in Snowstorm at Brighton which make abstract the portrayal of a storm whilst at the same time graphically capturing its impact.
Public collections
Public collections holding works by Edward Bawden include the British Museum Print Rooms (London), the Cecil Higgins Art Gallery, Chelmsford Museum, the Fry Art Gallery and the Victoria and Albert Museum (London).