Romantic Avant-garde. Mercy and the Ocean of People.
Oil painting
60 x 40cm
£719
Sold
cellar No.17 (The stolen Christmas)
Oil painting
40 x 50cm
£317
Sold
Nature Morte No.5
Oil painting
20 x 20cm
£257
Sold
The View to the Black with Lights III
Pastel drawing
56 x 46cm
£278
Sold
The Gothic Dreams of Hufenfreigraben
Oil painting
50 x 70cm
£855
The Last Night of the Icicle
Pastel drawing
30 x 40cm
£761
Sold
Berlin. Rain. Prager Platz.
Pastel drawing
21 x 30cm
£189
Sold
The Last Fall of Königsberg
Oil painting
96 x 86cm
£1967
The VBL II
Pastel drawing
40 x 30cm
£804
Sold
The Spiritual Death of Small Illusion
Oil painting
50 x 40cm
£300
The Snowy Corner
Pastel drawing
40 x 30cm
£1086
About Ave Igo[r]
Biography
While sleeping I saw most of my works. Something was created when I ran across upon it accidentally in the real world and it amazed me.
In my childhood I used to study at art school. From then onwards I've been drawing and painting all through my life. I'm obsessed with observing and exploring the processes of change in the arts. There are two most intriguing mysteries which make me fall into thinking and take the painter's brush: the transformation of medieval arts to the Renaissance and the transition from Art Nouveau to what is usually defined for us as contemporary form.
Many of my works are often called "Realism" or "Neorealism" in terms of artistic manner, but I don't see them that way. My artistic intention is exactly the exploration of changes and transitions in art and, accordingly, in human, who exists during these changes. Ideally, I would add a short commentary to each of my works or even write a manifesto to all of them. But this would be a big project which I still have not brought myself to realize.
Biography
While sleeping I saw most of my works. Something was created when I ran across upon it accidentally in the real world and it amazed me.
In my childhood I used to study at art school. From then onwards I've been drawing and painting all through my life. I'm obsessed with observing and exploring the processes of change in the arts. There are two most intriguing mysteries which make me fall into thinking and take the painter's brush: the transformation of medieval arts to the Renaissance and the transition from Art Nouveau to what is usually defined for us as contemporary form.
Many of my works are often called "Realism" or "Neorealism" in terms of artistic manner, but I don't see them that way. My artistic intention is exactly the exploration of changes and transitions in art and, accordingly, in human, who exists during these changes. Ideally, I would add a short commentary to each of my works or even write a manifesto to all of them. But this would be a big project which I still have not brought myself to realize.