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Original artwork description:

This painting is part of my ongoing search within urban spaces. Walks through Warsaw and other cities are an essential element of my artistic process. I find strange intruding elements on the city’s streets and turn them into a story about what is fully visible yet still unseen by ordinary passersby. Each of these findings becomes a moment of reflection on the city’s identity and its cracks, from which untamed traces of disorder and chaos emerge — still present within a large and seemingly organized metropolis.

The day was grey, and I couldn’t stop staring at this oddly organic form pushing through the metal sheet. There was something both ugly and alive about it. I painted it this way because it felt the most honest – raw, textural, and uneasy, like a small rebellion of nature against the surface of order. I often get asked "What does this painting present?" – which, to me, is a sign of success. I've managed to convey the same feeling I experienced looking at it in person.

Exhibited at the artist's master’s degree exhibition “Endurlings. The End of the City” (2025, Warsaw) and at the varsovian Academy’s end-of-year show (2024, Warsaw).

The painting is ready to hang and will be delivered in secure, multi-layered packaging, insured and tracked to ensure its safety during transport. Each work comes with a hand-signed Certificate of Authenticity, confirming its originality.

Materials used:

Oil paint on canvas

Tags:
#close up #corrugated metal #earthy tones #organic form #bold texture #urban nature #rust texture #raw energy #plant detail #industrial surface #sprouting plant #green growth #uneasy mood #nature intrusion #city crack 

What Grew From Under the Corrugated Metal (2024) Oil painting
by Eliza Kołodziej

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Original artwork description
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This painting is part of my ongoing search within urban spaces. Walks through Warsaw and other cities are an essential element of my artistic process. I find strange intruding elements on the city’s streets and turn them into a story about what is fully visible yet still unseen by ordinary passersby. Each of these findings becomes a moment of reflection on the city’s identity and its cracks, from which untamed traces of disorder and chaos emerge — still present within a large and seemingly organized metropolis.

The day was grey, and I couldn’t stop staring at this oddly organic form pushing through the metal sheet. There was something both ugly and alive about it. I painted it this way because it felt the most honest – raw, textural, and uneasy, like a small rebellion of nature against the surface of order. I often get asked "What does this painting present?" – which, to me, is a sign of success. I've managed to convey the same feeling I experienced looking at it in person.

Exhibited at the artist's master’s degree exhibition “Endurlings. The End of the City” (2025, Warsaw) and at the varsovian Academy’s end-of-year show (2024, Warsaw).

The painting is ready to hang and will be delivered in secure, multi-layered packaging, insured and tracked to ensure its safety during transport. Each work comes with a hand-signed Certificate of Authenticity, confirming its originality.

Materials used:

Oil paint on canvas

Tags:
#close up #corrugated metal #earthy tones #organic form #bold texture #urban nature #rust texture #raw energy #plant detail #industrial surface #sprouting plant #green growth #uneasy mood #nature intrusion #city crack 
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Eliza Kołodziej

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Location Poland

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Featured in: Curator's picks: December 2025 & Curators picks: November 2025 on Artfinder. For me, painting is a way of tracing what remains after people – a direct observation of... Read more

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