The scales of memory surface like fish, and a liquid light slides over me, crossing my threshold...
"The grammar of the gaze" is a series that explores the act of looking and being perceived. It is a story punctuated by portraits. And each portrait is a threshold suspended between the present and memory, between what has been and what is revealed. By following the minimal rules of an intimate and personal language, one preserves one's own self, constructed from a layered past and from what we wish to reveal.
In this painting, the second in the series, the subject is a page bathed in light, wrapped in an imaginary weave of memories and recollections. The past stitches its thread, but the future is already on the threshold.
This artwork is made with acrylic colors and charcoal on cradled birch wood panel. The edges are painted and the signature is present on the left one. The artwork is ready to hang and accompanied by a certificate of authenticity. The surface is finished with a double layer of water-based satin varnish, which makes it resistant to UV rays and the passage of time ...
Acrylic colors and charcoal on cradled birch wood panel.
46 Artist Reviews
£691.2
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The scales of memory surface like fish, and a liquid light slides over me, crossing my threshold...
"The grammar of the gaze" is a series that explores the act of looking and being perceived. It is a story punctuated by portraits. And each portrait is a threshold suspended between the present and memory, between what has been and what is revealed. By following the minimal rules of an intimate and personal language, one preserves one's own self, constructed from a layered past and from what we wish to reveal.
In this painting, the second in the series, the subject is a page bathed in light, wrapped in an imaginary weave of memories and recollections. The past stitches its thread, but the future is already on the threshold.
This artwork is made with acrylic colors and charcoal on cradled birch wood panel. The edges are painted and the signature is present on the left one. The artwork is ready to hang and accompanied by a certificate of authenticity. The surface is finished with a double layer of water-based satin varnish, which makes it resistant to UV rays and the passage of time ...
Acrylic colors and charcoal on cradled birch wood panel.
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