Original artwork description:

An evocative abstract landscape unfolds in sweeping gestures of color and light. Molten golds and embered oranges rise from the horizon like a breaking sun, dissolving into cool veils of blue, teal, and storm-softened gray. Broad palette-knife strokes and layered textures create a sense of movement—wind, water, and sky merging into a single atmospheric moment. The surface bears ridges and scrapes that catch the light, lending depth and a tactile immediacy, while reflective passages suggest water mirroring a luminous sky.

Balancing warmth and coolness, the composition feels both expansive and intimate, as if capturing the memory of a coastline at dusk rather than a literal place. The painting invites contemplation, offering a quiet drama where light emerges from shadow and color becomes emotion. Ideal for collectors drawn to contemporary abstraction with a strong sense of mood and horizon.

“Beata Belanszky - Demko, together with God, is a co-creator of the world, a Concreatrix. She creates and destroys multiple worlds daily. Solar flares, sea floods, and iceberg convulsions line up, and Beáta, like a Herculean Amazon, comprehends these world-formulas. Each piece of hers is imbued with a hyper-realistic authenticity. Honestly, year after year, I follow Beáta’s creative furor with hidden concern. How long can this nerve, bone, and marrow-consuming creation be sustained? Somehow, she models creation from nothingness. And although we know she brings forth pure imaginary landscapes, we do not feel even a hint of falseness. In an intensely magical compression, the blue is real water, the above is sky, the raging sun is the light burst, and the piled-up earth layers are the blacks. In the center of the picture, the starting point opens up, like a firing pin. Beáta’s landscapes enrich the world’s geography. In a certain sense, this creation structure embodies par excellence the painterliness. Ex nihilo nihil fit. Instead: ex nihilo pantos fit. Beáta derives everything from nothingness.“ - Kamil Turai - art philosopher - Hungary, 2024


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Materials used:

oil paint, brush, palette knife

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