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- The Cat Scream
The Cat Scream (2026) Original Oil Painting by VICTO
30.48 x 30.48 x 3.81cm (unframed)
£596.7
Original artwork description
The Cat Scream — Munch Parody Oil Painting
What if the most famous scream in art history belonged to a cat? I replaced Munch's anguished figure with a wide-eyed tabby — standing on that iconic bridge under a blood-orange sky, looking not terrified, but deeply, hilariously done with everything. This is part of my ongoing series where a traveling cat visits the great masterpieces. He has already been to Malevich and Matisse. Now he arrives at Munch.
There is a cat standing on Munch's bridge.
He is not screaming. He is just staring — wide-eyed, paw raised — with the exact expression of someone who has seen too much and understood all of it.
I kept everything from the original: the swirling blood-orange sky, the dark fjord, the vertiginous bridge. I just replaced the screaming figure with a tabby cat. And somehow that changes everything. The existential dread becomes funnier, softer, and — honestly — more relatable.
This is the third stop in my traveling cat series. He has already stepped inside Malevich's Black Square and danced through Matisse's The Dance. Now he has arrived at The Scream, and he fits perfectly. Because cats, more than anyone, seem to carry the full weight of modern anxiety — and then blink, stretch, and demand breakfast.
I paint animals as full emotional characters. Not cute decor. Not symbols. They feel things. They mirror what we hide. In this series I use humor and tenderness together — because I think that combination gets closer to the truth than anything serious alone.
The brushwork in the sky is thick and fast-moving. The cat's face is painted with care — wild eyes, pink nose, one paw slightly raised. People laugh when they first see it. Then they look a little longer and feel something they didn't expect.
This painting is for someone who loves art history and can laugh at it with affection. For collectors who want something genuinely witty on their wall — warm, a little absurd, and emotionally real.
It suits:
— Art lovers who know Munch and will feel the full joy of the swap
— Collectors building a narrative or themed collection
— Anyone who owns a cat and recognizes that expression immediately
— Buyers who want a conversation piece that also has depth
— Those who like following an artist's ongoing story — this series grows with each new painting.
The palette — deep reds, burning oranges, teal-black blues — makes this a natural focal point in many interiors.
Works well in:
— A living room with warm tones: rust, terracotta, dark wood
— A home office or studio where the cat's expression feels like daily commentary
— A reading nook or library alongside books on art
— An eclectic or maximalist interior that welcomes bold color
— A gallery wall as the statement piece
— A design-forward café, boutique, or creative workspace
At 30 × 30 cm (12 × 12 in) it works as a standalone piece or as part of a multi-work arrangement.
This painting is part of my "Creatures Who Feel" series — specifically the sub-series where one cat travels through art history and makes each masterpiece his own.
His journey so far:
— After Van Gogh: Starry Night Visitor
— After Malevich: The Suprematist Cat
— After Matisse: Monet’s Quiet Guest
— After Munch: The Cat Scream (this work)
Each painting stands alone, but together they tell one continuous story. Collectors who follow the series own something that keeps growing.
Medium: Oil on canvas
Dimensions: 30 × 30 cm (12 × 12 in)
Format: Square, ready to hang
Artist: VICTO
Materials used:
oil on canvas
Details:
- Oil painting on Canvas
- One of a kind artwork
- Size: 30.48 x 30.48 x 3.81cm (unframed)
- Ready to hang
- Signed on the back
- Style: Urban and Pop
- Subject: Animals and birds
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Original artwork description
The Cat Scream — Munch Parody Oil Painting
What if the most famous scream in art history belonged to a cat? I replaced Munch's anguished figure with a wide-eyed tabby — standing on that iconic bridge under a blood-orange sky, looking not terrified, but deeply, hilariously done with everything. This is part of my ongoing series where a traveling cat visits the great masterpieces. He has already been to Malevich and Matisse. Now he arrives at Munch.
There is a cat standing on Munch's bridge.
He is not screaming. He is just staring — wide-eyed, paw raised — with the exact expression of someone who has seen too much and understood all of it.
I kept everything from the original: the swirling blood-orange sky, the dark fjord, the vertiginous bridge. I just replaced the screaming figure with a tabby cat. And somehow that changes everything. The existential dread becomes funnier, softer, and — honestly — more relatable.
This is the third stop in my traveling cat series. He has already stepped inside Malevich's Black Square and danced through Matisse's The Dance. Now he has arrived at The Scream, and he fits perfectly. Because cats, more than anyone, seem to carry the full weight of modern anxiety — and then blink, stretch, and demand breakfast.
I paint animals as full emotional characters. Not cute decor. Not symbols. They feel things. They mirror what we hide. In this series I use humor and tenderness together — because I think that combination gets closer to the truth than anything serious alone.
The brushwork in the sky is thick and fast-moving. The cat's face is painted with care — wild eyes, pink nose, one paw slightly raised. People laugh when they first see it. Then they look a little longer and feel something they didn't expect.
This painting is for someone who loves art history and can laugh at it with affection. For collectors who want something genuinely witty on their wall — warm, a little absurd, and emotionally real.
It suits:
— Art lovers who know Munch and will feel the full joy of the swap
— Collectors building a narrative or themed collection
— Anyone who owns a cat and recognizes that expression immediately
— Buyers who want a conversation piece that also has depth
— Those who like following an artist's ongoing story — this series grows with each new painting.
The palette — deep reds, burning oranges, teal-black blues — makes this a natural focal point in many interiors.
Works well in:
— A living room with warm tones: rust, terracotta, dark wood
— A home office or studio where the cat's expression feels like daily commentary
— A reading nook or library alongside books on art
— An eclectic or maximalist interior that welcomes bold color
— A gallery wall as the statement piece
— A design-forward café, boutique, or creative workspace
At 30 × 30 cm (12 × 12 in) it works as a standalone piece or as part of a multi-work arrangement.
This painting is part of my "Creatures Who Feel" series — specifically the sub-series where one cat travels through art history and makes each masterpiece his own.
His journey so far:
— After Van Gogh: Starry Night Visitor
— After Malevich: The Suprematist Cat
— After Matisse: Monet’s Quiet Guest
— After Munch: The Cat Scream (this work)
Each painting stands alone, but together they tell one continuous story. Collectors who follow the series own something that keeps growing.
Medium: Oil on canvas
Dimensions: 30 × 30 cm (12 × 12 in)
Format: Square, ready to hang
Artist: VICTO
Materials used:
oil on canvas
Details:
- Oil painting on Canvas
- One of a kind artwork
- Size: 30.48 x 30.48 x 3.81cm (unframed)
- Ready to hang
- Signed on the back
- Style: Urban and Pop
- Subject: Animals and birds











