This drawing approaches architecture not as a monument, but as an assertion. Cropped inscriptions, heavy columns, and deep shadows shift the focus from historical completeness to structural presence. What remains visible is not the past itself, but the enduring act of building — still speaking through proportion, mass, and silence.
I use Winsor Newton’s Indian Black Ink and Ivory Black Watercolor with Water Proof Technical Drawing Pen on paper.
Winsor Newton’s Indian Black Ink and Ivory Black Watercolor on 300gr/m2 paper
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£260.48
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This drawing approaches architecture not as a monument, but as an assertion. Cropped inscriptions, heavy columns, and deep shadows shift the focus from historical completeness to structural presence. What remains visible is not the past itself, but the enduring act of building — still speaking through proportion, mass, and silence.
I use Winsor Newton’s Indian Black Ink and Ivory Black Watercolor with Water Proof Technical Drawing Pen on paper.
Winsor Newton’s Indian Black Ink and Ivory Black Watercolor on 300gr/m2 paper
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