Original artwork description:

This Fleshy Hunger refers to that craving that consumes a man and takes up all his thoughts and possesses him with one intent, to satisfy those desires.
The title is a term used to describe sex addiction but it could also describe various pathological yearnings.
The man is no longer in his home, or even in his own mind and body. He is elsewhere, in a manic reverie, in another imagined place.
He looks insane, possessed, in his imaginary relish and exquisite torture.


This is the sixth painting in a series of paintings I have embarked on, called "Sinister Selfies"; a project of paintings which distorts the idea of selfies. Instead of being snapshots of rampant narcissism in various sunny or celebratory locations, they instead invite and allow the viewer into a world which implies darker human realities such as addiction, co-dependency, trauma, terror, abuse, disgust, self loathing, disintegration of self and dissociation.
All areas of human experience close to my heart, so to speak.
Instead of snapshots of mindless self idolatry these sinister selfies give us a peak into other's lives and their discordant emotions and psychology and also into our shared communally lives generally and more presciently.
They reveal the aspects of self and humanity we would rather hide away, the sometimes unpalatable, even disturbing reality behind the facade we maintain in public.
Essentially I use a icon of our time, the Smartphone selfie, to turn a our gaze onto so-called darker elements of the human condition, mainly using heightened vibrant colour, distorted imagery and odd sized canvas.

Materials used:

oil on linen canvas

Tags:
#brynmill lane #james henry johnston #inner turmoil #man #atmospheric #artfinder #expressive art #night lights #atmospheric light #self portrait #swansea #terror #vibrant colours on grey 
This Fleshy Hunger (2017)
Oil painting
by James Henry Johnston

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Original artwork description
Minus

This Fleshy Hunger refers to that craving that consumes a man and takes up all his thoughts and possesses him with one intent, to satisfy those desires.
The title is a term used to describe sex addiction but it could also describe various pathological yearnings.
The man is no longer in his home, or even in his own mind and body. He is elsewhere, in a manic reverie, in another imagined place.
He looks insane, possessed, in his imaginary relish and exquisite torture.


This is the sixth painting in a series of paintings I have embarked on, called "Sinister Selfies"; a project of paintings which distorts the idea of selfies. Instead of being snapshots of rampant narcissism in various sunny or celebratory locations, they instead invite and allow the viewer into a world which implies darker human realities such as addiction, co-dependency, trauma, terror, abuse, disgust, self loathing, disintegration of self and dissociation.
All areas of human experience close to my heart, so to speak.
Instead of snapshots of mindless self idolatry these sinister selfies give us a peak into other's lives and their discordant emotions and psychology and also into our shared communally lives generally and more presciently.
They reveal the aspects of self and humanity we would rather hide away, the sometimes unpalatable, even disturbing reality behind the facade we maintain in public.
Essentially I use a icon of our time, the Smartphone selfie, to turn a our gaze onto so-called darker elements of the human condition, mainly using heightened vibrant colour, distorted imagery and odd sized canvas.

Materials used:

oil on linen canvas

Tags:
#brynmill lane #james henry johnston #inner turmoil #man #atmospheric #artfinder #expressive art #night lights #atmospheric light #self portrait #swansea #terror #vibrant colours on grey 
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James Henry Johnston

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About
James Henry Johnston has recently been featured as one of the rising artists in Wales according to Buzz magazine, the leading Arts and Entertainment guide in Wales, UK . uk/art/art-guide-rising-artists-art-feature/... Read more

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