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Monochrome Breach (2025) Original Acrylic Painting by Gera Dunachie

40 x 40 x 2cm (unframed)

£580

Monochrome Breach is a contemporary abstract work on cradled wood panel, built through layering, scraping and reduction. The palette is cool and restrained - slate grey, stark white, deep and charcoal with fractured lines and traces of muted violet and red pushing through the surface.

The composition holds a tension between structure and rupture. Incised lines map out a hidden geometry beneath the gestural marks, while scraped-back layers reveal the history of the surface. Earlier decisions that refused to disappear. The result is a painting that feels both architectural and emotionally charged.

A versatile statement piece for contemporary spaces: works well in minimalist interiors, either as a standalone focal point or within a curated group.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.
I have aphantasia and syneasthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

The panel is varnished with satin anti-UV. Unframed, with edges finished in dark grey. Ready to frame on hang as desired.

Materials used:

Acrylics

Details:

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Monochrome Breach is a contemporary abstract work on cradled wood panel, built through layering, scraping and reduction. The palette is cool and restrained - slate grey, stark white, deep and charcoal with fractured lines and traces of muted violet and red pushing through the surface.

The composition holds a tension between structure and rupture. Incised lines map out a hidden geometry beneath the gestural marks, while scraped-back layers reveal the history of the surface. Earlier decisions that refused to disappear. The result is a painting that feels both architectural and emotionally charged.

A versatile statement piece for contemporary spaces: works well in minimalist interiors, either as a standalone focal point or within a curated group.

I'm a London-based abstract painter working with acrylic and mixed media on cradled wood panel. My paintings build through layering and reduction. They tend to be geometric in structure, with colour that moves between cold restraint and moments of warmth and friction.
I have aphantasia and syneasthesia: I can't visualise in advance, and colour arrives as sensation rather than image. Each painting develops through that process, with earlier marks and decisions left visible in the surface. What remains is what earned its place.

The panel is varnished with satin anti-UV. Unframed, with edges finished in dark grey. Ready to frame on hang as desired.

Materials used:

Acrylics

Details:

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Gera Dunachie

Location United Kingdom

About
I'm an abstract painter working on cradled wood panels. My work begins in sensation, not sight. I have aphantasia, which means I can't visualise, so each painting builds through tone,... Read more

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