- Kloska Ovidiu
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- AUTUMN FOREST LEAVES
Original artwork description
Title: from the series " Beyond the inside " - "I LEAVE MY DAYS LIKE AUTUMN FOREST LEAVES ", signed on January 2018
Tehnique: acrylic painting on stretched canvas / edges are painted dark brawn / ready to hang / painting is varnished to protect the colors in time
painting size: 100 x 180 cm / LARGE SIZE !
signed 2018
Series "Beyond the inside"
Certainly at my beginnings as a visual artist, in childhood, I camed into contact first with the landscape executed in classical manner.
At first I drewed, I have learned the secrets, techniques, their stories. Now the artistic maturity, the figurative manner it no longer creates me the same pleasure.
My wish is at the moment to create a landscape from a mental perspective, a "Mindscape" , a visual plastic confiruration different from the classic one ...
but with a starting point the a real landscape. My "forests" and "clearings" are hiding the forms, they clasify a special romance, turnerian like,
the liberated energy is ethereal, subtle, delicate. A viewer admiring a painting from this series in one of my exhibitions has characterized having
something that its exudes from the glamor and the fascination of the jewelry with precious stones.
All elements of landscape plant undergoes a transfiguration that invites to solitary journeys, both in the macrocosm and in the microcosm. The dynamics and the artistic rhythm are given musicality and light vibration. Basically the concept invites to mental journey into the abyss of being, consciousness, memory and hope.
Ovidiu Kloska
I LEAVE MY DAYS LIKE AUTUMN FOREST LEAVES
2020
Acrylic on canvas
100 × 80 cm
From the series Beyond the Inside
“I Leave My Days Like Autumn Forest Leaves” is part of the 2020 series Beyond the Inside, in which the artist investigates the porous threshold between inner experience and external reality. The work situates itself within a painterly language that privileges process, accumulation, and erosion, treating the canvas as a site where time, memory, and gesture are continuously negotiated.
The painting unfolds as a layered field of traces rather than a fixed composition. Acrylic is applied, removed, and reintroduced through scraping, wiping, and overpainting, resulting in a surface marked by both assertion and withdrawal. Chromatic tensions emerge between muted, atmospheric tones — violets, greys, and earthy browns — and sudden, luminous accents of orange and red. These contrasts evoke the seasonal paradox of autumn: a moment of decline that is simultaneously charged with intensity and warmth.
Rather than depicting a landscape, the work constructs an interior topography. Forms remain unstable, hovering between emergence and dissolution, suggesting states of transition rather than resolution. The surface bears visible remnants of earlier decisions, allowing previous layers to persist as ghostly presences. In this sense, the painting operates as an archive of gestures, where the act of painting becomes inseparable from the act of remembering and letting go.
Within the conceptual framework of Beyond the Inside, this work articulates a quiet meditation on impermanence. The metaphor of falling leaves is not framed as loss alone, but as a necessary process of release. Days are not erased; they are deposited, layered, and absorbed into a broader continuum. The painting proposes identity as fluid and temporal, shaped by cycles of attachment and detachment rather than permanence.
“I Leave My Days Like Autumn Forest Leaves” resists immediate interpretation. Its openness invites sustained viewing, encouraging the viewer to navigate its shifting textures and rhythms. The work does not offer narrative closure, but instead creates a contemplative space where transformation unfolds slowly. Through its material density and restrained emotional charge, the painting positions itself as an experiential field — one that reflects on vulnerability, transition, and the quiet agency found in the act of release.
Materials used:
acrylic hand painting on stretched canvas / ready to hang
Details:
- Acrylic painting on Canvas
- One of a kind artwork
- Size: 100 x 80 x 2cm (unframed) / 100 x 80cm (actual image size)
- Ready to hang
- Signed on the front
- Style: Expressive and gestural
- Subject: Landscapes, sea and sky
Tags:
#lighthouse#forest#memory#leaves#colors#dreamscape#lost#silence#mindscape#romanian master#ovidiu kloska#oneiric art
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Original artwork description
Title: from the series " Beyond the inside " - "I LEAVE MY DAYS LIKE AUTUMN FOREST LEAVES ", signed on January 2018
Tehnique: acrylic painting on stretched canvas / edges are painted dark brawn / ready to hang / painting is varnished to protect the colors in time
painting size: 100 x 180 cm / LARGE SIZE !
signed 2018
Series "Beyond the inside"
Certainly at my beginnings as a visual artist, in childhood, I camed into contact first with the landscape executed in classical manner.
At first I drewed, I have learned the secrets, techniques, their stories. Now the artistic maturity, the figurative manner it no longer creates me the same pleasure.
My wish is at the moment to create a landscape from a mental perspective, a "Mindscape" , a visual plastic confiruration different from the classic one ...
but with a starting point the a real landscape. My "forests" and "clearings" are hiding the forms, they clasify a special romance, turnerian like,
the liberated energy is ethereal, subtle, delicate. A viewer admiring a painting from this series in one of my exhibitions has characterized having
something that its exudes from the glamor and the fascination of the jewelry with precious stones.
All elements of landscape plant undergoes a transfiguration that invites to solitary journeys, both in the macrocosm and in the microcosm. The dynamics and the artistic rhythm are given musicality and light vibration. Basically the concept invites to mental journey into the abyss of being, consciousness, memory and hope.
Ovidiu Kloska
I LEAVE MY DAYS LIKE AUTUMN FOREST LEAVES
2020
Acrylic on canvas
100 × 80 cm
From the series Beyond the Inside
“I Leave My Days Like Autumn Forest Leaves” is part of the 2020 series Beyond the Inside, in which the artist investigates the porous threshold between inner experience and external reality. The work situates itself within a painterly language that privileges process, accumulation, and erosion, treating the canvas as a site where time, memory, and gesture are continuously negotiated.
The painting unfolds as a layered field of traces rather than a fixed composition. Acrylic is applied, removed, and reintroduced through scraping, wiping, and overpainting, resulting in a surface marked by both assertion and withdrawal. Chromatic tensions emerge between muted, atmospheric tones — violets, greys, and earthy browns — and sudden, luminous accents of orange and red. These contrasts evoke the seasonal paradox of autumn: a moment of decline that is simultaneously charged with intensity and warmth.
Rather than depicting a landscape, the work constructs an interior topography. Forms remain unstable, hovering between emergence and dissolution, suggesting states of transition rather than resolution. The surface bears visible remnants of earlier decisions, allowing previous layers to persist as ghostly presences. In this sense, the painting operates as an archive of gestures, where the act of painting becomes inseparable from the act of remembering and letting go.
Within the conceptual framework of Beyond the Inside, this work articulates a quiet meditation on impermanence. The metaphor of falling leaves is not framed as loss alone, but as a necessary process of release. Days are not erased; they are deposited, layered, and absorbed into a broader continuum. The painting proposes identity as fluid and temporal, shaped by cycles of attachment and detachment rather than permanence.
“I Leave My Days Like Autumn Forest Leaves” resists immediate interpretation. Its openness invites sustained viewing, encouraging the viewer to navigate its shifting textures and rhythms. The work does not offer narrative closure, but instead creates a contemplative space where transformation unfolds slowly. Through its material density and restrained emotional charge, the painting positions itself as an experiential field — one that reflects on vulnerability, transition, and the quiet agency found in the act of release.
Materials used:
acrylic hand painting on stretched canvas / ready to hang
Details:
- Acrylic painting on Canvas
- One of a kind artwork
- Size: 100 x 80 x 2cm (unframed) / 100 x 80cm (actual image size)
- Ready to hang
- Signed on the front
- Style: Expressive and gestural
- Subject: Landscapes, sea and sky
Tags:
#lighthouse#forest#memory#leaves#colors#dreamscape#lost#silence#mindscape#romanian master#ovidiu kloska#oneiric art
Kloska Ovidiu
Romania
About
Ovidiu Kloska – Biography & Curriculum Vitae
BiographyOvidiu Kloska (b. 1977, Romania) is a contemporary visual artist whose multidisciplinary practice spans painting, welded-steel sculpture, mixed media, and oniric conceptual photography. His... Read more