This plain air painting is a spring landscape of a Japanese garden located in the depths of the Botanical Garden in Moscow, demonstrating a harmonious combination of natural elements with an emphasis on harmony and peace. In the center of the painting is a Tea House gazebo, partially hidden by lush greenery, which serves as the center of attention. The artist employs a rich palette of greens and earthy tones to depict the verdant trees and foliage, which encircle the structure, evoking a sense of secluded peace. The vibrant splash of yellow flowers in the foreground contrasts warmly against the cooler greens, adding vibrancy and depth. The brushwork is fluid and expressive, capturing the gentle play of light and shadow across the scene. The composition invites the viewer into an idyllic countryside setting, conveying a timeless connection to nature’s beauty. The painting’s impressionistic style lends an evocative quality, allowing the viewer to merge with the tranquility it portrays.
The condition of the painting is good, without loss. In the middle there is a barely perceptible layer of cardboard, a deformation of cardboard.
Oil
£2,452.8
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This plain air painting is a spring landscape of a Japanese garden located in the depths of the Botanical Garden in Moscow, demonstrating a harmonious combination of natural elements with an emphasis on harmony and peace. In the center of the painting is a Tea House gazebo, partially hidden by lush greenery, which serves as the center of attention. The artist employs a rich palette of greens and earthy tones to depict the verdant trees and foliage, which encircle the structure, evoking a sense of secluded peace. The vibrant splash of yellow flowers in the foreground contrasts warmly against the cooler greens, adding vibrancy and depth. The brushwork is fluid and expressive, capturing the gentle play of light and shadow across the scene. The composition invites the viewer into an idyllic countryside setting, conveying a timeless connection to nature’s beauty. The painting’s impressionistic style lends an evocative quality, allowing the viewer to merge with the tranquility it portrays.
The condition of the painting is good, without loss. In the middle there is a barely perceptible layer of cardboard, a deformation of cardboard.
Oil
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