In the reed beds
   A gentle walk through the enclosed pathway,
   Hearing the reed warblers, can’t see them,
   I stop and paint this wild sanctuary,
    Russet autumn colours ,
    Tall and graceful reeds, not turned golden yet.
Words and thoughts of being at Shapwick nature reserve in the Avalon marshes of Somerset.
   I created this original impressionist watercolour outside with a group of lady artists painting the colours in early November this year
   I used Indian cotton rag paper and my Japanese watercolour set. I wet the paper lightly all over and began to use my busy Chinese brush sweeping a pale pink and peach for the background then applying by pressing, dabbing and dragging the paint on expressively to create the natural watercolour markings.
    I enjoyed very much painting outside and great momentum within the art group.
Indian cotton rag paper, Japanese watercolours, bushy Chinese brush, small Chinese brush,
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£165 Sold
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In the reed beds
   A gentle walk through the enclosed pathway,
   Hearing the reed warblers, can’t see them,
   I stop and paint this wild sanctuary,
    Russet autumn colours ,
    Tall and graceful reeds, not turned golden yet.
Words and thoughts of being at Shapwick nature reserve in the Avalon marshes of Somerset.
   I created this original impressionist watercolour outside with a group of lady artists painting the colours in early November this year
   I used Indian cotton rag paper and my Japanese watercolour set. I wet the paper lightly all over and began to use my busy Chinese brush sweeping a pale pink and peach for the background then applying by pressing, dabbing and dragging the paint on expressively to create the natural watercolour markings.
    I enjoyed very much painting outside and great momentum within the art group.
Indian cotton rag paper, Japanese watercolours, bushy Chinese brush, small Chinese brush,
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