Original artwork description:

In the Heart of Presence
Series: God is Always Here

“In the Heart of Presence” is a contemporary manifestation of spiritual abstraction, opening the new series “God is Always Here” with an immersive visual liturgy. The work aligns itself with the legacy of transcendental abstraction — yet it speaks in a language of today, with urgency, with fracture, with luminous rupture.
Here, the cruciform structure is not a static symbol, but a dynamic axis mundi — a spiritual coordinate system around which chaos begins to harmonize. The composition is saturated with gestural energy and chromatic ecstasy, echoing the mystical ambitions of early abstractionists, while also engaging the aesthetics of contemporary disruption. The spontaneous marks, drips, and veils of pigment suggest not randomness, but encoded intention — as if divine frequencies were being captured mid-transmission.
In this painting, color is consciousness. The bursts of pink, cyan, orange, and black function as emotional vectors; they resonate not only with the eye but with the inner body of the viewer. The atmosphere is electric and fluid — a blend of meditation and movement, of sacred geometry and formless prayer.
Unlike traditional sacred art, which locates God in the heavens or within icons, this composition insists on immanence. It suggests that God is not found above, but within the trembling layers of perception, in the saturated now. The viewer is invited to navigate the painting as one would navigate a mandala or a mirror: to seek within the chaos a center, a rhythm, a silent voice.
This is not abstraction for abstraction’s sake. It is a visual theology. It proposes a new kind of icon — one not bound by form, but by frequency. In the lineage of Rothko’s emotional fields, Hilma af Klint’s esoteric diagrams, or Zao Wou-Ki’s energetic voids, “In the Heart of Presence” places spiritual experience in direct confrontation with the language of contemporary painting.
A cross. A burst. A silence. A presence.
And the quiet, glowing message: God is always here.

Materials used:

framed acrylics on canvas varnished

Tags:
#lighthouse #light #religious #cross #spirituality #divinity #crucifiction #ovidiu kloska 

Heart of Presence (2025) Acrylic painting
by Kloska Ovidiu

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Original artwork description
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In the Heart of Presence
Series: God is Always Here

“In the Heart of Presence” is a contemporary manifestation of spiritual abstraction, opening the new series “God is Always Here” with an immersive visual liturgy. The work aligns itself with the legacy of transcendental abstraction — yet it speaks in a language of today, with urgency, with fracture, with luminous rupture.
Here, the cruciform structure is not a static symbol, but a dynamic axis mundi — a spiritual coordinate system around which chaos begins to harmonize. The composition is saturated with gestural energy and chromatic ecstasy, echoing the mystical ambitions of early abstractionists, while also engaging the aesthetics of contemporary disruption. The spontaneous marks, drips, and veils of pigment suggest not randomness, but encoded intention — as if divine frequencies were being captured mid-transmission.
In this painting, color is consciousness. The bursts of pink, cyan, orange, and black function as emotional vectors; they resonate not only with the eye but with the inner body of the viewer. The atmosphere is electric and fluid — a blend of meditation and movement, of sacred geometry and formless prayer.
Unlike traditional sacred art, which locates God in the heavens or within icons, this composition insists on immanence. It suggests that God is not found above, but within the trembling layers of perception, in the saturated now. The viewer is invited to navigate the painting as one would navigate a mandala or a mirror: to seek within the chaos a center, a rhythm, a silent voice.
This is not abstraction for abstraction’s sake. It is a visual theology. It proposes a new kind of icon — one not bound by form, but by frequency. In the lineage of Rothko’s emotional fields, Hilma af Klint’s esoteric diagrams, or Zao Wou-Ki’s energetic voids, “In the Heart of Presence” places spiritual experience in direct confrontation with the language of contemporary painting.
A cross. A burst. A silence. A presence.
And the quiet, glowing message: God is always here.

Materials used:

framed acrylics on canvas varnished

Tags:
#lighthouse #light #religious #cross #spirituality #divinity #crucifiction #ovidiu kloska 
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Beyond our power to understand creation are the efforts of artists concerned with exploring the areas of knowledge, with the encounter between the corporeal and the spiritual dimension, the mystery... Read more

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