The grass in autumn is astonishingly green against the golds of harvested fields and trees changing colours to gold and red. No rivals for its greenness. While on a workshop in Dorset the group made a trip inland. We enjoyed splendid views from our elevated position overlooking the landscape. The green meadows and a distant cream coloured field formed the basic idea for my painting Top of the hill. My painting is both visual and tactile, painted on a burnt Sienna ground . Framed in a plain frame hand painted in a specially mixed soft white. Signed titled and dated on the reverse. Shipped with a track and trace identity carefully packed in mostly recycled materials.
Oils
14 Artist Reviews
£295
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The grass in autumn is astonishingly green against the golds of harvested fields and trees changing colours to gold and red. No rivals for its greenness. While on a workshop in Dorset the group made a trip inland. We enjoyed splendid views from our elevated position overlooking the landscape. The green meadows and a distant cream coloured field formed the basic idea for my painting Top of the hill. My painting is both visual and tactile, painted on a burnt Sienna ground . Framed in a plain frame hand painted in a specially mixed soft white. Signed titled and dated on the reverse. Shipped with a track and trace identity carefully packed in mostly recycled materials.
Oils
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