In the late 1950s, Willem de Kooning began dividing his time between New York and eastern Long Island, then a rural area. His paintings of this period, as he described them in 1960, reflect the change in his surroundings. “They’re emotions, most of them. Most of them are landscapes and highways and sensations of that, outside the city—with the feeling of going to the city or coming from it.”
Acrylic on masonite
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In the late 1950s, Willem de Kooning began dividing his time between New York and eastern Long Island, then a rural area. His paintings of this period, as he described them in 1960, reflect the change in his surroundings. “They’re emotions, most of them. Most of them are landscapes and highways and sensations of that, outside the city—with the feeling of going to the city or coming from it.”
Acrylic on masonite
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